Arrest of a monument in Ankara: imposing state-led citizenship upon public spaces

Emerging culture of resistance in public spheres. Visibility of power representations in public spaces. Territorial identity or a project for state-led citizenship. Monotype public spheres, removal of the street art. Arrest of a monument in Ankara.

Рубрика Культура и искусство
Вид дипломная работа
Язык английский
Дата добавления 25.08.2020
Размер файла 5,4 M

Отправить свою хорошую работу в базу знаний просто. Используйте форму, расположенную ниже

Студенты, аспиранты, молодые ученые, использующие базу знаний в своей учебе и работе, будут вам очень благодарны.

In this case, it is important to see who are the objects of surveillance, what does the visibility of different actors mean in these contexts to understand how the means of governmentality define the roles of state-led citizenship model of the AKP government on public spheres.

5.7 Selectivity of the Disciplinary Mechanisms

In this part of the literature review, I discuss how erection of power representations in public spheres exercise their power over population selectively with considering the Agamben's state of exception concept (Agamben, 2005, p.7). While considering this power's legitimacy in this context, it is helpful to consider Agamben's state of exception concept which illustrates how state of exception becomes the rule in such cases (Agamben 1998, p.17). With using the discourse of security, I mentioned above, where the state of exception is established, in particular public spheres the only routine will be the contestant politics between the actors, where the political struggle over a public sphere becomes concrete. After the 15th July 2016, the delegated legislations (KHKs) made this constant state of emergency concept permanent in Turkey. By the comfortable authority that KHKs provide to the AKP government, the standardization of the public spheres became a legitimate concept by means of governmentality. In this sense, the police in the public spheres became able to hinder any `inappropriate' forms of citizenship models which is measured by the litmus paper of the state-led citizenship model of the AKP government. As Agamben (1998) stated, politics is already exceptional, and when the established power becomes sovereign power, the selectiveness of the disciplinary mechanisms will only serve to the political elite who holds this political power. In this case, intervention, exercise of power can target the opposition or any democratic demand in the public spheres selectively or defend the social or political mobilizations with the security techniques in contrast. It is studied that the governments can be punitive in terms of economics too (Fassin & Bouagga & Coutant & Eideliman & Fernandez & Fischer & Brown 2015, p.114). For the Konur and Yьksel Streets, the workplaces around the monument of human rights can also have their shares from the intervention even if they do not cooperate with the social mobilization. State in this punitive role punished someone more than others, here in the Konur and Yьksel Streets, disciplinary mechanisms blamed the supporters and the activists more (Becker 1968, p.17). In this sense, power representations that I discussed above can function towards monotyping the public spheres by hindering the socio-spatial relations with different methods (Brenner & Elden 2009, p.361). The studies in the literature summarizes that urban policing to particular public spheres that are politically, socially, economically charged or stigmatized has always functioned selectively (Wang, 2004, p.116; Broeur, 1983, p.509; Fassin, 2013, p.37). In this case, the selective practices of police towards particular groups of people are related to their territory too. Accordingly, the selectivity of the police mechanisms in different contexts of this research is quite useful to understand how police as one of the actors in the streets today function towards different groups of actors on the different geographies that I related as different forms of citizenship models.

5.8 Militarization of Public Spheres against the New “Other”

In order to deploy the sovereign power that Agamben (1998) stated, targeting the routine of social life, mobilizations, arresting the monuments, buildings and parks can be considered as how Graham (2009) imagined cities as space of battle (p.387). In this case, I also consider this abstract battle space as normalization of militarization since the police became a part of even architecture with the prefabricated police stations in the city centers of Turkey as Graham (2012) stated how security doctrines over the public spheres are the part of normalization of the militarization of urban spheres today (p.137). Considering the different forms of voices representing alternatives apart from the state-led one, and the legitimacy of suppression the other in Turkey case, the politically charged public spheres are the places where the everyday life war between the forms of citizenship models.

In this case, what I have been telling about the citizenship, and selective disciplinary and regulatory mechanisms towards the particular groups of people intersects here again to draw a meaningful conclusion to this literature review. While the public spheres are becoming militarized with the power representations of the AKP government which intends to define the territory and population, they also otherize a part of the society which are targeted by the disciplinary mechanisms of the government. In this sense, the power representations in the public spheres which is embedded with the social life routine and the architecture, where the monuments and the public places are surrounded by police barricades to block people to use these places, and their exercise of power are the inevitable presentation of the state-led citizenship project. Besides, the militarization of the public spheres as a power representation is also another issue that should be remembered since there are punitive techniques towards the inhabitants of the public spheres or the actors including to this picturesque.

To put all these theoretical concepts and literature together, the erection of power representations and means of governmentality in the public spheres, especially where the social and political mobilizations are organized or where a `culture of resistance' emerged at any point, intends to redefine the territory with a state-backed citizenship project of the AKP government consciously or not. In this sense, this study seeks answers to the questions of how state intervention into public places, that are politically charged as oppositional or which can be a ground place for social/political activism where the culture of resistance can emerge as Lalendais (2015) stated, triggers a change in the understanding of citizenship with the means of government by discrediting, disciplining, blaming the other models of citizenship model that would define themselves apart from the imposed nationhood which constructs the cultural citizenship with a subjectification process. Also, I find it important to remember that means of governmentality which disciplines the `other' ways of being citizen in the public spheres defines a practical citizenship in real life too. In addition to this, the constancy of the police and its means of security such as barricades, which arrests the monuments, buildings, and public spheres related to this kind of social activism and political scheme re-define the architecture of the streets where prefabricated police stations surveilling the public spheres constantly became panopticon. To sum up, considering the state-led citizenship model that the AKP government created, the citizens are envisioned as subjects of neoliberalism, and faithful to state while they also follow the conservative patterns that the Islamic building-blocks of the AKP government promoted. In this sense, in this research, I study the relationship between the means of governmentality and their function towards promoting this model of citizenship upon the public spheres that are politically charged and became a ground place of alternative forms of citizenship models. Accordingly, the regulatory practices and the functionality of the means of governmentality are questioned, evaluated with their effect on the social entity formed up on the Konur and Yьksel Streets where the monument of human rights is arrested. In this sense, in general the question of these arrests is considered with these theoretical frameworks that are trying to understand how and why the means of governmentality function towards building and promoting a state- led citizenship upon particular public spheres.

6. Analysis

Since I question how punitive, regulatory practices of police as means of governmentality in the Konur and Yьksel street function towards promoting and advertising a state-led citizenship upon public spheres, my research problem arises from the physical arrest of a monument in Ankara (Figure 1). Seeing the relationship between the results of the practices of police in the Konur and Yьksel Streets by observing and interpreting the changing perspectives of the social production of space has a crucial role as an explanatory for studying citizenship and governmentality practices here. Below, I analyze the related field work and observations to study how police functioned towards monitoring and advertising a state-led citizenship upon the Konur and Yьksel Streets. For enriching the analysis, I refer different and similar concepts from Istanbul Gezi Park protests and also from the political occupation taking place in front of the HDP building in Diyarbakir to deepen the understanding of who the actors are, why there these public spheres became politically contestant and how they evolved with the perspectives of the actors related to these fields. The comparative approach is limited with this comparison of the functionality of actors since the contexts are anthropologically impossible to compare depending on their social and historical pre-conditions. That is because, especially the Diyarbakir case for my study is quite tricky since there is also a big question of Kurdish issue and peace process between the AKP government and the Kurdish Movement. Since going deeper into this comparison with all perspectives would lead me into another research, I limited this comparative approach to see how the actors affected each other with the research focus. Hereby, I consider state intervention in such public spaces as an erection of power representation to present a new way of experiencing cities with a particular cultural citizenship identity. In other way of saying, these power representations playing a regulatory and disciplinary role towards the otherized ways of being in the public spheres as a citizen are to redefine the social and political interactions upon the territory with its population since they are involved with a political perspective which can result in an anti-governmental protest or a democratic demand in the public spheres. Accordingly, the roles of the actors related to the public spheres are defined by different actors for instance monument's representing a secular citizenship or the political groups' intensification on particular public places. In the particular field of Konur and Yьksel Streets, the installation of a prefabricated police station by the government which puts visible and non-visible borders to the public sphere that is politically charged as places that can be a ground place for anti-governmental activisms intensify. However, this practice brings a new dimension with its functionality towards promoting a cultural citizenship upon the public spheres. Since the public spheres I study has a politically contestant structure with its actors, the change is considered as the subjectification to the political power that is imposing the state-led concept of being citizenship. In this case, there are two dimensions among the actors; police as representing the government intervening into the public sphere and the other is representing the inhabitants who appropriate the streets and form up an alternative citizenship model in contrast. In the chapter below, I start operationalization by making the connections between the actors and the contexts clear in terms of the study focus. Like it happened in the Ankara, in Istanbul and Diyarbakir too, police barricades surrounded particular public spheres towards particular actors, and the pass card to be able to be visible on these public spheres are given by the institution of the government. Besides the pre-condition to be visible as an actor on the streets is dependent on the form of citizenship that the individuals express practically and discursively.

In the further chapters of the analysis part, I analyze the examples of such police practices to understand what is allowed to be in the public spheres as what, so that I can interpret how the means of governmentality as power representations are meaningful to understand the concept of citizenship in public spheres by looking at how they took a regulatory role to re-define the territory with its population (Foucault, 1979, p.198; Foucault, 1991, p.89; Foucault, 1982, p.779; Lait, 2010, p.18).

6.1 Arrest of a Monument in Ankara

Before the state intervention into the Konur and Yьksel Streets, the social environment of these streets and the social interactions between the inhabitants evolved around social, economic and political pre-conditions. As I presented in the introduction, after the 1990s with the installation of the monument of monument of human rights and the closure to traffic made this place an open place where different sounds of different groups came together. Cafes, bars, bookstores, university unions, craft unions, political party buildings located around these particular streets by centering the monument

unconsciously. By time, this place became an open place not only political activism but also cultural and social activities. In addition to this, since the quantity of communities, or places where people can come together were diverse and numerically high, the social interactions of the people who earn their life from these streets or who use it to reach more people with political statements were intense, it became a vibrant social place. In this case, like the Lefebvre's (1991) concept of social production of space, I consider the Konur and Y ьksel Streets as a socially produced entity with its all actors related to the city at some point since they are all the part of this social entity evolving around the monument. In this sense, the actors of this street had a collective decision mechanism at some point in cases such as when there is a social and political issue, some of the inhabitants of these streets may collectively hang over a banner representing a political declaration of the related issue.

Figure 5: “Bu Pankart Yasa Diзi: This banner is illegal”, The Yьksel Street, Ankara (Photo taken from sendika.org: “News: Konur Sokak'ta Orantisiz Zeka”)

As it can be observed from the figure 5, 6, 7, and 8, the streets are full of different groups' flags, and social activities mobilizing a political atmosphere where even the monument of human rights cannot be observed because of a lot of flags and banners hanged over the street. I find it useful to understand how the social interactions and how people feel about these public spheres as an individual before to study my research problem, because as it is observable from even the photos, the Konur and Yьksel Streets are very open place for social/political activism. This makes the political activists a part of the actors related to the street. In addition to this, the inhabitants working in the workplaces located on the streets are crucial to understand the relationship between the actors. As I illustrated in the figure 8, this social entity used particular collective decision mechanism to adopt a particular attitude towards the social and political issues always. This mechanism functioned by the meetings of the inhabitants to discuss what to do, or by the unions surrounding the public sphere with their offices and occupation of the streets. In this case, these streets had a collective and alternative way of using the public sphere with its solidarity between the actors, variety of the different sounds. That is why, the public space used by these actors is quite connected to each other and the actors are helpful to each other in economic and social issues time to time.

Figure 6: Different political groups distributing their political statements on the streets, Konur and Yьksel Streets, Ankara, Turkey (Photo Taken from sendika.org: “Nьkleer Karзitlan Konur'da" )

Figure 7 Different political groups distributing their political statements on the streets (Photo Taken from sendika.org: “Nьkleer Karзitlan Konur'da”)

Figure 8: “isyan Цzgьrlegtiriyor: Rebel liberates” hanged upon the intersection of the Konur and Yьksel Streets (Photo Taken in 2013, During the Gezi Park Protests)

Since there is such a collective entity and different forms of citizenship representations, this social entity evolved with different groups' sounds and appropriations as Dinзer (2016) also studied (p.55). Accordingly, in this particular public sphere there are common places for left political parties, worker unions, syndicates, culture centers of left groups around the public sphere, the inhabitants also became a part of this atmosphere. One of my interviewee states that

Konur has been a place for everyone but not for the fascists or state, if they wanted toget inside and take someone, they had to come with a huge police army."

The interviewee shortly and directly characterizes the dominant fabric of the social entity evolved around this public sphere. In this sense, this public sphere has been a place where there is no right-wing activism may appear on the public sphere, or police of the government who come to intervene into anything with a tie with the social entity. This particular statement of the interviewees also consolidates what the collective decision of these groups or actors were following a particular political line while looking at the government's ideological bases that I discussed in detail in the literature review. In this case, it is also an expression of the alternative citizenship practically. Using the same technique in theory, the representations and the figures they put on the streets define the roles and the characteristics of the social entity they are entitled to. Besides it also separates the socially produced space of the Konur and Yьksel Streets from the other urban spheres of Ankara. Accordingly, the state intervention into this public sphere is also the intervention of the social entity that is producing a new form of citizenship models. As Lelandias (2015) stated, a culture of resistance that can emerge a political representation or demand in the public spheres can be observed here too. Moreover, social interactions between the actors and the collectively hanged banners on the streets sharpen the borders of alternative forms of citizenship models emerging here. Dinзer (2016) already explained how the Konur and Yьksel Streets had this political representation with the social production of space of the actors related to the street. Thus, Habermas' (1991) approach on public space democracy became an impersonation of a form of identity that can be named in various ways. In this case, this is also an answer to why this public space should be studied specifically considering my research problem, because as it is seen, there is an alternative way of citizenship with the social production of space and culture of resistance while this kind of social productions are discredited by the state discursively. After this process of constant intervention has started to the Konur and Yьksel Streets, one of the interviewees stated that

“Konur became an insecure place with the police, everyone is uneasy because of theiraggressive behaviors, and the worst is they never leave this time. They used to leave before at least".

Most of the interviewees stated this uneasiness related to the routine of violence on the streets. Since the visibility of police is the representation of the state-led citizenship and the visibility of the social interactions of the inhabitants represent the alternative forms of citizenship models, the uneasiness arising among the actors made things more complicated. It is also interesting that the interviewees usually emphasized how police never leave the Konur anymore. Considering this constant establishment of a portable or prefabricated police station, the roles of the actors on the streets were to be re-defined by means of governmentality since there are limitations of what to do and not to do on the streets with the police existence. Besides, this is constantly being checked by a police station established just next to the public sphere where the social entity emerged with all the actors of these streets. One of the interviewees also stated that “there is always a theatre going on here every evening now, and everyone just started to watch what is going on the streets while the police is taking the activists to the police cars and pepper gassing the streets”. This play that is taking place on the streets every day were met in shock by most of the inhabitants since the police never leave the public streets and even the protests took a new time routine where they confront with police every day. This new routine consisting of everyday activism that is claiming the `right to the city' and also to be visible as a form of citizen in these streets and the everyday police intervention became the most remarkable characteristic of the streets last three years (Harvey, 2008, p.26). The comments of the actors related constant police existence and the arrest of the monument illustrated that most of them are convinced that the AKP government is trying to erase the Konur and Yьksel Streets from the literature of the street politics according to one of the interviewees. In this sense, remembering the characteristics of the state-led citizenship that I discussed in the literature review, the public spheres are not open for the alternative citizenship forms in this case. Besides, the change in the actors' approach to the street is quite interesting. One of my interviewees stated that “state took this place from us, and they are doing this explicitly. They are even ready toarrest a monument as you see. In this case, I cannot even be on the streets if you ask them."

As this interviewee stated too, vast majority of my interviewees mentioned about this particular issue of taking the place, not letting them inside with a perspective of “they” and “us/them”. In this sense, while the police as an ideological power representation, this intervention's roots touches so many issues. Accordingly, the police play a regulatory role here in the name of state, and take the public spheres from the inhabitants where the social activism emerge. Since being visible in these public spheres as an actor can be thought of as the alternative form of the citizenship, the actors of the streets became nonpublic for the government. What Ate§ (2017) stated as the AKP government's creation of non-public discursively becomes concrete and practical in this picturesque. In this case, the visibility of the alternative form of citizenship models on the public spheres became a trap for them considering the Foucault's (1977) concept of panopticon. As Foucault (1977) besides this fictitious relationship burgeoning the real subjection is forming up with this contrast of the visibilities (p.76). In this case, the intervention of the police and the establishment of the prefabricated police station created a panopticon concept where the means of governmentality intend to diminish or erase the visibility of alternative forms of emerging citizenship models.

In this sense, what does an arrest of a monument has to say with these concepts starts to become clear. In this picturesque, since the actors, social and political interactions of the street embedded to each other, the monument of human rights also emerged a metaphoric power representation of a new form of citizenship. In this case, like it happened in the Istanbul before, the inscription of Atatьrk statue to the Taksim Square was monitoring the secular citizenship model upon the public spheres as Зinar studied (2006; p.470). However, in this particular case, even if the monument of human rights holding a book of `bill of rights' is not the exact resemblance of the political groups using these streets physically, with the social and political interactions' intensification, it became a symbolic sound of collectivism. Accordingly, this collective voice of the alternative citizenship models are being surrounded by the police barricades is the summary of the functionality of the state intervention into these streets at first place. In this sense, as the interviewees stated too, their visibility on the streets became a practice of getting under arrest by the mechanisms of state. The way of their visibility has changed in this case, and evolved a routine where the activists and the workplaces are getting arrested or pepper gassed by means of governmentality at first place.

Before going more in detail, I would also like to add the legitimacy and the usage of security discourse of the government into this picturesque, because it will be more explanatory in terms of what kind of citizenship is being promoted upon these streets. In this case, this should be considered with how the government justified a way of being in the streets by using security discourse that I discussed in the subtitle “blaming the activism”. Since this public sphere has such a political and social environment where the actors are familiar with each other, I find it useful to understand how constant police surveillance changed these socialness and political fabric of the streets and also to understand why it happened as a complementary question to the first one.

6.2 Blaming the Activism

Under this subtitle, I find it useful to remind how the justification towards security is justified by referring the security discourse such as “devletin bekasi” as I explained in the literature review. Besides, it is important to see how this government's justification of intervention towards the protests that demand a different way of living, and also deny the monitored citizenship upon the public spheres as Зinar (2019) stated. Also, as Gцle (2014) stated, the Gezi Park protests could be concluded as a new way of citizenship demand where the differences existed together over a territory. In this case, what Lelandias (2015) presented as culture of resistance can be evaluated with these denials and demands. The culture of resistance and the visibility as the representation of the citizenship on the streets consists of these demands and denials when the picturesque considered together.

As Gцksel and Tekdemir (2018) stated that the deconstruction of the security discourse by the protesters brought a new understanding (p.380). As this study illustrated too, for the protesters, police became an insecure institution while the AKP government consider police as security and the protesters insecure, or threat to the “devletin bekasi”. The similar deconstruction is also done in the Konur and Y ьksel Streets. According to the interviewees “the Konur and Yьksel Streets became more insecure” with the police existence. However, on the other hand, the actors are the threats according to the security discourse that always take a place on the protest fields by its mechanisms of the government. In this sense, the justification of otherizing the protesters and blaming them with such approach considering protesters as “зapulcu” or “threat to the eternity of the state” or “terrorists” became a crucial issue here. Considering this creation of other concept, in the very beginning of the protests after the constant police existence on the streets, the number of the protesters were quite intense, however, by time the numbers decreased, and the supporters for the particular political activists became unable to be visible on the streets. This quantitative decrease also observed in the videos recorded by the activists and also by the FOSEM, and Yьksel TV. It is possible to discuss why the numbers decreased in various ways, however, since some of my interviewees stated particular statements, I limit this analysis to a particular point where I can also see how this concept worked with the state-led conceptualizations upon the streets. One of my interviewees stated that

“I had to leave the protests, because there were a lot of investigations opened against me by blaming me to be a member of a terrorist organization. Moreover, every time they get me to the police station from the streets, they will find another excuse to open another investigation after me."

In this case, again, the visibility of supporters of the activists are trapped by their visibility on the streets with the actors. Accordingly, the endless legislative procedures following the activists and their supporters can be considered as one of the disciplinary practices of the state. Hereby, the actors of the streets are to be distanced to each other, or be forced to leave the public spheres due to their new vulnerable legislative situations. At this point, what Ong (1996) and Lazar (2013) intended to describe citizenship as subject formation can be considered with this practical frame because the AKP using security discourse to blame and otherize a particular group demand or deny a particular way of citizenship form also defines themselves with their attitudes in the public spheres (p.380; p.80). In this sense, even if the actors cannot make subject to political power, a legislative vulnerability is created and their visibility on the streets are removed as a result of it. In this little cycle of production of legitimatization, I approached how the justification of blaming the activism depends on the AKP government's security discourse that takes its references from its ideological bases, and while doing this I also explained how two forms of citizenship monitoring or contestation upon the public spaces emerged. The actors face is sued for being a member of terrorist organization when they are visible with the political activists. In this sense, what has the security discourse has to do with this picturesque becomes clearer. The legitimacy of the actors is made vulnerable, so that their social interactions with the social entity where their voice of citizenship is raised in different levels are limited by the state. It becomes clear at each level that imposing a state-led citizenship model upon the public spheres function with the means of governmentality by putting actors into vulnerable situations where their social and political ties can be weakened.

In this sense, social and political practices building a culture of resistance also define a form of citizenship when there is a contestation came into a question in this place and the actors can form up a collective visibility towards the mechanisms of government. Since the AKP government justified its practices towards the public spheres that are charged as politically, the way of being in these streets are also defined and justified. That is why, the government with its justification erected its power representations upon the public spheres so that these power representations can play a regulatory role towards the attitudes of the actors related to the public spheres. Considering the arrest of the symbolic monument too, the display of taking people to the police cars became a routine practice for Konur and Y ьksel Streets in these three years. This new routine is telling the outcomes of the intervention at first glance since all the alternative representations of the citizenship models are repressed in different ways, the flags of these groups are removed and the symbolic statue arrested literally. Since the interviewees state that “Konur is ours” or the “Gezi Park is ours”, it should be considered with the framework I presented above in this chapter. That is why, the contestation between the actors in a public sphere should also be considered with understanding what kind of citizenship forms are conflicting to find a way to exist or produce an alternative one since the visibility became the practice of citizenship on public spheres. Comparing this to the Istanbul and Diyarbakir contexts, the Diyarbakir has a different pre-conditions and historical context as I presented in the beginning of the analysis. However, it is still possible to say that in front of the HDP party building where the press releases held time to time has a representativeness for a form of citizenship that is related with its history and geography too. However, since it would lead me a completely different research agenda, I will be limiting this comparative approach by the positioning of actors mostly. That is because in such a study, touching to the Kurdish issue with all its pre-conditions leads me to a different research agenda under this context. That is why, when I just look at the practice of protest in front of the HDP building, and the positioning of police as an actor in the public sphere I find interesting answers to be discussed, because there is a contrast photo of the actors in the public spheres where the barricading or surveillance is not over the protesters but on the HDP building. According to the families started a sit-down strike in front of the HDP, Diyarbakir, their occupation will last here unless the state does something. In this case, the practices and the roles of the actors are contrast in the picturesque. While the activists expect state to help them in Diyarbakir, the activists on the Ankara, and Istanbul expect state to leave the public sphere and let them exist on the streets. However, I will give more detail about this in the chapter I talk about the police barricades where I look at the actors positioning towards each other. In the chapter below, I introduce more data related analysis to look at how the Konur and Y ьksel Street became contestant by also comparing to Gezi Park Protests and Diyarbakir sit-down strikes when it is necessary and meaningful. In addition to these, one of the interviewees stated that “Since we are unlawfully removed from our jobs, we demand for our jobs, there is nothing normal than this. They did not only remove us from our jobs, they took our chances to defend ourselves in the courts, we cannot go to abroad for any-reason or find a job at the offices."

Another actor commented on the situation of the particular activists on the Konur and Y ьksel Streets like this: “It is literally like; they prisoned, tortured and removed them from their jobs, because of their political opinions, and they are implying that “they cannot live, find a job or be a part of activism as long as we are the political power" ".

Some of the actors of these streets have been demanding the same things for three years on the Konur and Y ьksel Streets, however the answer they got from the government mechanisms is to be displaced from the public spheres. As some of the interviewees stated there are a lot of investigations opened against these actors, and they are being investigated if they are a member of a terrorist organization. Some of the interviewees have more than 5 law suits related to this routine usage of the Konur and Y ьksel Streets. In the videos broadcasted in the accounts such as FOSEM and Yьksel TV too, all the activists emphasize that how the AKP government removed them from their jobs unlawfully due to their political opinions and that is why they demand their jobs back from the government as they state it in their everyday resistance on the Konur and Yьksel Streets. Since there is a visual evidence of more than three years that the activists are being taken into police cars, or being dragged by police to make them leave from the streets, I find this picturesque quite explanatory for the research focus. Hereby, the equation gives an outcome where the AKP government's practices towards the people, who are not subjected to the ideological formations of the state-led citizenship, are being removed from the public spheres. In this case, it is possible to say that the activism not enrolled with the government is justified as the bad thing for the AKP government, and the legislative mechanisms are also used to mob the activists to quit demanding political issues on the public spheres since their legitimacy is reduced to zero due to the vulnerable political agenda of the country. Even if the activists state that they only want their jobs back in their protests, the investigations opened against them are mainly questioning if they are involving in a terrorist organization and opposing to government's mechanisms.

Since I have been mentioning about how a citizenship should not be only conceptualized by an empirical definition but with its practices so that with its visibility on the public spheres as Gцle (2013) and Зinar (2019) stated too, the intervention towards this visibility of actors are to subject them to the political power which promotes a state- led citizenship in this case. There does not have to be a dualistic empirical definition of citizenship in this case, but practices and the visibility with the government that has the power to redefine a population in this sense should be considered too. In this case, subjection to political power is the practice of recruiting new citizenship models in this case referring to Ong's (1996) and Lazar's (2003) concept of cultural citizenship as subject formation.

Since it became clear that how suppression and the state-led citizenship is justified with such security discourses resulting in the investigations towards the actors, hereby, I also defined the objects of surveillance and intervention to see which actors are targeted in the public spheres. Moreover, representations of alternative forms on the public spheres and their visibility as its practice is under a siege of the governmentality mechanisms. As Foucault (2007) stated too, the security upon a territory deals with its population too since they are inseparable due to their socialness on each other (p.378).

6.3 Being Subjects of the Prefabricated Police Stations

In this chapter, I present the particular practices of governmentalization that I have been mentioning from the beginning of this study. In other words, I find it useful to study the visibility of power representations, actors, and their relations to the theoretical framework considering the power representations and their visibilities with different concepts of citizenship models. Since my study arises from a physical arrest of a monument, I elaborate how each practice complete each other to understand my theoretical approach. That is why, first of all, I would like to continue looking at what a prefabricated police station meant and what kind of concept it is in this context. Especially after the intensification of hunger strikes and sit-down strikes next to the Konur and Y ьksel Street, at first stage, a police bus surrounded by a police barricades located next to the monument of human rights, then it by time it is replaced with a prefabricated police station with a big Turkish flag hanged over on it (Figure 12).

This means twenty-four-hour surveillance upon the public sphere where the police officers are constantly on guard with their equipment, and ready to intervene to any issue in an instant time. I interpret this process of settlement as a consolidation of power representation in the public sphere. The permanency of the police in the street visibly became observable with this settlement process especially when the time consists of 3 years considered for this new concept of the Konur and Yьksel Streets. One of the interviewees stated that “the police 's first thing to do on the streets while they were establishing the portable prefabricated police station was to collect all the flags of the groups and hang Turkish flags over the streets"

After the justification of the intervention by security discourse and blaming the protesters, another stage of the intervention was “to flag” the territory as Billig (1995) stated (p.8). That is why, I also consider this flagging practice of the AKP government as to redefine territory by erecting the symbols of a nationhood. In this case, this practice is meaningful when the socially produced space around these streets considered. In this case, this flagging can be interpreted in terms of nationalism and so forth, however, hereby I would like evaluate it as a power representation artificially since the practices and the interactions of different actors became the issue of different forms of citizenship models. In this case, I should also remind how the security discourses are the building blocks of the AKP-led citizenship upon such public spheres. The de-flagging and flagging are to define a metaphorical moral upon the territory where the government mechanisms use the nation flag. It is important because since the eternity of the state featured in such concepts while defining a territory and population under the AKP rule, the Turkish flag became the power representation of this security discourse. In this sense, it can be interpreted as the actors when they oppose to the mechanisms of government, they also oppose to the nationhood, eternity of the state since the police is the educatory tool of the ideological states as Althusser (2006) stated too (p.96).

The police are de-flagging and re-flagging the public sphere and erase their visibility. In this sense, what Billig (1995) stated for flagging is embodied by practice of police here. Hereby, the flagging practice is one of the steps of intervention. After removal of the banners, flags and the street art related to political figures, Turkish flags hanged over the Konur and Yьksel Streets, in addition to this, considering the prefabricated police station, it has a Turkish flag that can be easily observed by everyone on the street. I find this practice meaningful to interpret in terms of the theoretical framework I approach to this field because what it is visible in the street with the Turkish flagged prefabricated police station is a representation of an ideological power, or embodied political power of the AKP government since the public sphere is charged in a different way politically by the government.

Since I study how the means of governmentality function towards a new form of citizenship which is burgeoned from the ideological bases of the AKP, here I see a practice of fanning the flames of a nationhood by hanging over flags to remind where the inhabitants of the street belong or subject to. Hereby, the state's visibility is characterized by the practice of flagging the streets, and the actors are expected to be subjected to this ideological representation since the alternative voices are reduced by the intervention. In this sense, the Konur and Yьksel Streets has been a place where people are reminded what they are subject to at this stage with flagging practice of the means of government. In this case, a prefabricated police station with a Turkish flag (see figure 9 above) has also a symbolic intervention to the public sphere since they also practice de-flagging.

In this research, since I combine various theoretical frameworks to study how the means of governmentality function towards different forms of citizenship models upon public spheres, the visibility is the practice of these citizenship forms. This overarching concept of approaching the practical conflict between the citizenship model is reading all the process of subject formation of the practices. Since this subject formation is also a process and the citizenship are the outcome of being subject to the political power, it is possible to interpret that the re-defining the public sphere has different stages even without considering the perspectives of the actors at first stage. Before analyzing the police practices and how they function in a disciplinary way towards particular actors related to public spheres, in the chapter below, I want to elaborate how the police barricading and the exercise of power against different actors' function. In the chapter below, I want to clarify how police as a mean of governmentality is important to be understood in terms of imposing a real-life practice of cultural citizenship idea upon the particular public spheres against particular political groups. Then, I can analyze what kind of punitive measures are taken towards whom to ensure governmentality in these territories.

6.4 A Selectively Permeable Cell Membrane: Police Barricades

In this part of the analysis, I elaborate and analyze how police barricading functions towards different groups and actors to explain what kind of citizens are allowed to be visible in the public spheres under the monitor of the state-led citizenship upon the public spheres. Police barricades became a part of the everyday visual of the people in

Turkey. In this sense, I find it useful to understand how do they function by surrounding a park, a building, a journalist or a monument to erase their visibility from the public spheres. That is why, what does this removal of visibility mean has a crucial answer for the research problem. Since these ideological power representations of the AKP government play a regulatory role in the public spheres, what kind of practices are applied to which actors should be considered to understand what is allowed to be visible as an actor in the public spheres. After presenting how these police barricading, and surveillance functions towards particular groups, in the titles below, I present the disciplinary, regulatory practices of the police intending to ensure governmentality to monitor a citizenship upon the territories by disciplining and punishing the created nonpublic or the other way of being citizens. As I explained the dominant fabric of the actors appropriating the Konur and Yьksel Streets, here, I consider their positioning towards police and state to be able to compare how different actors are affected by the power representations of the AKP government.

6.4.1 Closure of the Taksim Square

The closure of the Taksim Square and Gezi Park on particular times literally means the barricading of the whole area with police barricades. It is also interesting, the barricades that are being used to surround these places always stand next to the police cars whole year, in this sense, there is a display of constant police existence in the public sphere and next to their settlements, there are a lot of barricades that are ready to be deployed. On the 1st May 2020, the Taksim Square is surrounded with police barricades as it was done in the previous years such as 2019, 2018, 2017, 2016 too. The syndicates wanted to place a wreath on the Taksim Square, however, the police did not allow all the syndicates. That is why, two contrast images appeared on the Taksim Square (Figure14). It became one of the main topic conversations during the 1st May that how some syndicates are allowed to leave a wreath on the Taksim Square while the others are intervened by police even if their demands were not far from each other. The different experiences of the syndicates became a litmus paper here to understand their relationship with the government. The 14th figure illustrates the wreaths left on the Taksim Square at the end of the 1st May 2020. While the syndicates such as `Birle§ik Kamu І§', `HAK-I§', `HAK- SEN' were leaving their wreath on the Taksim Square in company with police, the members of the syndicate named DiSK were not allowed and some of them were taken into the custody. In the 14th figure, there is one fragmented, and wrecked wreath that belongs to the DISK.

Figure 10: 2020 1st May, the wreaths of the different syndicats on the Taksim Square (Photo Taken from the Twitter account: @sahmetsahmet)

Hereby, the visibility of alternative syndicates is also seen as fragmented on the Taksim Square. Since the DISK has been one of the important political groups took place in the Gezi Park Protests, their visibility as an actor has the similar patterns as an alternative voice of citizenship. Comparing this to the other wreaths, the visibility of the “other” is fragmented and were not able to pass from the police barricades without any conflict or police violence. In this case, being subject to political power and being an alternative sound on the public spheres are filtered on the public spheres. Accordingly, it is possible to interpret this in a similar way, only the ones who are subject to the political power of the government can pass from the membrane of the police. One of my interviewees stated that, “it has been an issue between left wing political groups and the AKP, every 1st May, we try to go to Taksim Square and they try to stop us doing it. Especially last 10 years, each 1st May became a war place thanks to the police and government".

Especially after the Gezi Park protests, the closure of this public spheres and the control of them became an issue for the AKP government again, and their practice of arresting the public squares, and parks, and letting only the actors who are subject to the dominant political power is the outcome of this picturesque.

Another complementary example to this is the relationship between the AKP government and the other political Islamic groups. For example, Alperen Ocaklari Alperen Ocaklari is a political group known by their support to the AKP government in the elections, and their conservative-nationalist ideological bases. is one of the Islamic political groups in Turkey who stand with the Erdogan government during the elections, and they showed up in the streets of Taksim Square to prevent the pride march like they did its previous years. On the day of pride march in 2019, a lot of conflicts happened between these actors. Some members of the Alperen Ocaklari even threatened the members of the LGBTI-Q if they continue walking to the Taksim Square. Police was there to prevent pride march to reach Taksim Square or intensify around the Taksim Square. One of the interviewees stated that “as we see every year, islamists can go to Taksim square even if it is closed for any kind of protests specifically that day due to our pride march, but we cannot even walk to the Taksim Square from the Istiklal Street because of who we are."

...

Подобные документы

  • Story about eight public holidays in United States of America: New Year’s Day, Martin Luther King’s Day, President’s Day, Thanksgiving Day, Christmas, St.Valentine’s Day, April Fool’s Day, Halloween. Culture of celebrating of holidays as not religious.

    реферат [24,5 K], добавлен 12.01.2012

  • Japanese role in the culture of the state. Place in the system of painting Japanese artbrush like a traditional instrument of writing. Technique of calligraphy. Traditional sculpture. Anime and Manga. Japanese tea ceremony, requirements for it. Religion.

    презентация [7,4 M], добавлен 11.03.2013

  • Short-story biography of American film actress Jennifer Aniston: parents, childhood, friends and beginning of career. The personal life of film star and development of its career is in Hollywood. Rewards of artist, as critic and public confession.

    презентация [2,1 M], добавлен 26.10.2013

  • Short-story description of public holidays of Great Britain: Christmas, New Year, Easter, spring and summer Bank holidays. Conservative character of Britannic festive traditions. Tradition and organization of celebration of New Year and Christmas.

    реферат [21,1 K], добавлен 05.02.2011

  • The concept of "intercultural dialogue". The problem of preserving the integrity nations and their cultural identity. formation of such a form of life, as cultural pluralism, which is an adaptation to a foreign culture without abandoning their own.

    статья [108,6 K], добавлен 12.11.2012

  • The Brooklyn Bridge is a popular landmark in the New York City. The History and the Structure of the Brooklyn Bridge. The Bridge and American Culture. Ethnic and foreign responses to America, nationalism, memory, commemoration, popular culture.

    реферат [13,1 K], добавлен 09.07.2013

  • A long history of French culture. Learning about cultural traditions of each region of France is a richly rewarding endeavour and just pure fun. Customs and traditions in France. French wedding and christmas traditions. Eating and drinking in France.

    реферат [51,5 K], добавлен 11.02.2011

  • Covent Garden - a royal opera house in London. The Theatre of the Bolshoy is the most largest theatre in the world. The Vienne state opera is one of the first operatic addresses. The Opera La Bastille. "Carnegy-Hall" is concert common-room in New York.

    презентация [995,9 K], добавлен 09.05.2014

  • Introduction to business culture. Values and attitudes characteristic of the British. Values and attitudes characteristic of the French and of the German. Japanese business etiquette. Cultural traditions and business communication style of the USA.

    методичка [113,9 K], добавлен 24.05.2013

  • The great places and attractions of London. The Trafalgar Square and Buckingham Palace. The Queen of Great Britain. Westminster Abbey - a holy place. The Houses of Parliament. The British Parliament Imperial State Crown. The Beefeaters. Tower Bridge.

    презентация [1,1 M], добавлен 25.10.2014

  • International holidays in the Republic of Kazakhstan: New Year, International Women's Day. National, state and professional holidays: Nauryz, Unity Day, Capital Day, Constitution Day, Fatherland Defender's Day, Kurban Bairam, Day of the First President.

    реферат [24,9 K], добавлен 24.01.2015

  • The main types of stereotypes, their functions, leading to illustrate the differences in cultures and national symbols. The use of stereotypes of the main ways in which we simplify our social mir.Funktsiya transfer relatively reliable information.

    презентация [1,1 M], добавлен 06.12.2014

  • Johnny Depp - is an American actor, producer, musician. He has won the Golden Globe Award and Screen Actors Guild award for Best Actor. Depp rose to prominence on the 1980s television series 21 Jump Street, becoming a teen idol. Popular films with Depp.

    презентация [1,5 M], добавлен 02.10.2012

  • The value of art in one's life, his role in understanding the characteristics of culture. The skill and ability of the artist to combine shapes and colors in a harmonious whole. Create an artist of her unique style of painting, different from the others.

    презентация [2,3 M], добавлен 20.10.2013

  • The Hermitage is one of the greatest museums in the world. Put together throughout two centuries and a half, the Hermitage collections of works of art present the development of the world culture and art from the Stone Age to the 20th century.

    курсовая работа [16,9 K], добавлен 14.12.2004

  • Singapore is a cosmopolitan society where people live harmoniously among different races are commonly seen. The pattern of Singapore stems from the inherent cultural diversity of the island. The elements of the cultures of Canada's Aboriginal peoples.

    презентация [4,7 M], добавлен 24.05.2012

  • Customs and traditions, national and religious holidays, the development of art and architecture in Turkey. Description of the relationship of Turks to the family, women, marriage, birth and burial. Characteristics of the custom of Sunnet - circumcision.

    реферат [28,1 K], добавлен 21.01.2012

  • Renaissance art and culture during the Renaissance. Biography of famous artist and painter Michelangelo. His architectural masterpieces: the sculpture of David, the dome of St. Peter's Basilica in the Vatican. Artistic value Songs 'Creating Adam'.

    эссе [925,5 K], добавлен 29.12.2010

  • Pre-cinema inventions. Descriptions of some visual devices which anticipated the appearance of motion-picture camera. The development of cinematography. The problem of genesis of the language of cinema. The ways of organizing theatrical performances.

    реферат [17,5 K], добавлен 02.02.2015

  • Using arch at a wedding ceremony in Ireland. Bridesmaid dress and accessories. Bell as a wedding gift. Braided tresses are a symbol of female power and success. Irish tradition of hand-held tape. Different toasts and sayings that are recited at weddings.

    презентация [3,5 M], добавлен 18.11.2013

Работы в архивах красиво оформлены согласно требованиям ВУЗов и содержат рисунки, диаграммы, формулы и т.д.
PPT, PPTX и PDF-файлы представлены только в архивах.
Рекомендуем скачать работу.