Masks and carnivals in contemporary Sardinia
The revival of cultural events in the life of Sardinia. The history and functions of the carnival, its influence on modern society. Changing of the national traditions. Research and rethinking of the carnival phenomenon. The heyday of the mask movement.
Рубрика | Культура и искусство |
Вид | статья |
Язык | английский |
Дата добавления | 18.06.2021 |
Размер файла | 2,6 M |
Отправить свою хорошую работу в базу знаний просто. Используйте форму, расположенную ниже
Студенты, аспиранты, молодые ученые, использующие базу знаний в своей учебе и работе, будут вам очень благодарны.
8. Bachtin, M. 1979. L 'opera di Rabelais e la culturapopolare [Rabelais's work and popular culture]. Turin: Einaudi.
9. Baroja Caro, J. 1989. Il Carnevale [The Carnival]. Genova: Il Melangolo.
10. Bonato, L. 2006. Tutti in festa. Antropologia della cerimonialita [All in celebration. Anthropology of ceremoniality]. Milan: Franco Angeli.
11. Bravo, G.L. 2003. Orso e capra a nuova vita [Bear and goat to new life]. In Bestie, santi, divinita. Maschere animali dell'Europa tradizionale [Beasts, saints, divinities. Animal masks of traditional Europe], edited by P Grimaldi, 35-43. Turin: Museo Nazionale della Montagna.
12. Broccolini, A., Ballacchino, K. 2016, (eds.). Carnevali del XXI secolo[Carnivals of the 21st century]. Archivio di Etnografia numero monografico 1-2 (a.XI).
13. Buttitta, A. 1996. Dei segni e dei miti. Una introduzione alla antropologia simbolica [Of signs and myths. An introduction to symbolic anthropology]. Palermo: Sellerio.
14. Buttitta, I.E. 2010. Carnevali di Sicilia fra tradizione e innovazione [Carnivals of Sicily between tradition and innovation]. InIl Carnevaleeil Mediterraneo [The Carnival and the Mediterranean], edited by P. Sisto, P. Totaro, 206-248. Bari: Progedit.
15. Castelli, F., and P.Grimaldi (ed.). 1997. Maschere e corpi. Tempi e luoghi del Carnevale [Masks and bodies. Times and places of the Carnival]. Rome: Meltemi.
16. Castelli, F.,and P Grimaldi (eds.). 1999. Maschere e corpi. Percorsi e ricerche sul Carnevale [Masks and bodies. Itineraries and research on Carnival]. Alessandria: Edizioni dell'Orso.
17. Clemente, P 1997. Pin feste, pin vere. Riflessioni addosso a “Carnevale senza Quaresima...” di Fabio Mugnaini [More parties, more real. Reflections on “Carnival without Lent ...” by Fabio Mugnaini]. In Maschere e corpi. Tempi e luoghi del Carnevale [Masks and bodies. Times and places of the Carnival], edited by F. Castelli, P Grimaldi, 95-102. Rome: Meltemi.
18. Della Maria, G. 1958a. Viaggio in Barbagia lungo le vie del folklore [Journey to Barbagia along the streets of folklore]. L'Unione Sarda» 26 August 1958.
19. Della Maria, G. 1958b. Le maschere della Barbagia residui di un'era lontana [The Barbagia masks from a distant era]. L'Unione Sarda» October 19, 1958.
20. Della Maria, G. 1959. Maschere antichissime nel carnevale di Ottana [Ancient masks in the Ottana carnival]. L 'Unione Sarda February 15, 1959.
21. Gallini, C. 1977. Tradizioni sarde e miti d'oggi. Dinamiche culturali e scontri di classe [Sardinian traditions and myths of today. Cultural dynamics and class clashes]. Cagliari: Edes.
22. Grimaldi, P (ed.) 2001. Le spade della vita e della morte. Danze armate in Piemonte [The swords of life and death. Armed dances in Piedmont]. Turin: Omega.
23. Grimaldi, P (ed.) 2003. Bestie, santi, divinita. Maschere animali dell'Europa tradizionale [Beasts, saints, divinities. Animal masks of traditional Europe]. Turin: Museo Nazionale della Montagna.
24. Grimaldi, P. 2012. Cibo e rito. Il gesto e la parola nell'alimentazione tradizionale [Food and ritual. The gesture and the word in traditional food]. Palermo: Sellerio.
25. Kezich, G. 2015. Carnevale re d'Europa. Viaggio antropologico nelle mascherate d'inverno [Carnival King of Europe. Anthropological journey in the winter masquerades]. Scarmagno: Priuli & Verlucca.
26. Kezich, G. 2019. Carnevale. La festa del mondo [Carnival. The feast of the world]. Rome; Bari: Laterza.
27. Le Roy Ladurie, E., 1981. Il Carnevale di Romens [The Carnival of Romens]. Milan: Rizzoli.
28. Mannia, S. 2017a. (Ed.). Oltre carnevale. Maschere, travestimenti, inversioni [Beyond carnival. Masks, disguises, inversions]. Palermo: Fondazione Ignazio Buttitta.
29. Mannia, S. 2017b. Al gran gala delle maschere. Considerazioni sulle pratiche carnevalesche nella Sardegna contemporanea [At the grand gala of masks. Considerations on carnival practices in contemporary Sardinia]. Oltre carnevale. Maschere, travestimenti, inversioni [Beyond carnival. Masks, disguises, inversions], edited by S. Mannia, 119-151. Palermo: Fondazione Ignazio Buttitta.
30. Mannia, S. 2020. Politiche, potere, contestazione nei carnevali della Sardegna del terzo millennio: su battileddu di Lula [Politics, power, protest in the carnivals of Sardinia in the third millennium: su battileddu di Lula]. Studi offerti a Mario Atzori. Etnografie in dialogo: curiosita e passioni [Studies offered to Mario Atzori. Ethnographies in dialogue: curiosities and passions], edited by S. Mannia, G. Saba, 186-193. Sassari: Carlo Delfino.
31. Marchi, R. 1951. Le maschere barbaricine [The barbarian masks]. Il Ponte 9-10: 1354-1361.
32. Marchi, R. 1979. I “ciechi” di Orotelli [The “blind” of Orotelli]. La Nuova Sardegna February 25, 1979.
33. Masala, F. 1955. Dietro le tragiche maschere dei Mammuthones l'eterna prigionia del popolo sardo [Behind the tragic masks of the Mammuthones, the eternal imprisonment of the Sardinian people]. L 'Unione Sarda» March 5, 1955.
34. Masala, F. 1984. Il riso sardonico [Sardonic rice]. Cagliari: Gia Editrice.
35. Masala, F. 1987. Storia del teatro sardo [History of the Sardinian theater].Cagliari: Alfa Editrice.
36. Masala, M. 1971. Il simbolismo dei “mamuthones” di Mamoiada [The symbolism of the “mamuthones” of Mamoiada]. Frontiera IV(2): 578-582.
37. Massajoli, P. 1972. IMamutones [The Mamutones]. L'Universo LII (4): 777-794.
38. Massajoli, P. 1974. Le maschere di Ottana [The masks of Ottana]. L'Universo LIV (3-4): 471-490.
39. Merche, S. 1986. Folklore Sardo-Orotellese [Sardinian-Orotellese folklore]. Nuoro: Arti grafiche AR.P.E.F.
40. Mirizzi, F. 2012 Per un repertorio delle maschere meridionali tra carnevali vissuti e carnevali della memoria[For a repertoire of southern masks between lived carnivals and carnivals of memory]. In La maschera e il corpo [The Mask and the Body], edited by P. Sisto, P Totaro, 109-123. Bari: Progedit.
41. Moretti, P 1954. Mamutones e maimones [Mamutones e maimones]. Lares XX (3-4): 179-180.
42. Moretti, P 1963. La mascherata dell'orso in Sardegna e il significato dei «Mamuthones» [The masquerade of the bear in Sardinia and the meaning of the «Mamuthones»]. Nuovo Bollettino Bibliografico Sardo e Archivio Tradizioni Popolari VIII (43-44): 3-4.
43. Moretti, P 1967. La maschera dell'orso nel carnevale sardo [The bear mask in the Sardinian carnival]. Lares XXXIII (1-2): 23-31.
44. Nurra, P 1896. Nella Barbagia settentrionale. Impressioni di viaggio [In northern Barbagia. Travel impressions]. Sassari: Prem. Stab. Tip. G. Dessi.
45. Orru, L. 1999. Maschere e doni, musiche e balli. Carnevale in Sardegna [Masks and gifts, music and dances. Carnival in Sardinia]. Cagliari: Cuec.
46. Pillonca, P 1981. Dopo quarant'anni ritornano «sos thurpos» [After forty years «sos thurpos» return]. La Nuova Sardegna February 27, 1981.
47. Rossi, A., and R. De Simone. 1977. Carnevale si chiamava Vincenzo. Rituali di Carnevale in Campania [Carnival was called Vincenzo. Carnival rituals in Campania]. Rome: De Luca Editore.
48. Satta, M.M. 1982. Riso epianto nella culturapopolare. Feste e tradizioni sarde [Laughter and tears in popular culture. Sardinian festivals and traditions]. Sassari: L'Asfodelo.
49. Sisto, P., and P Totaro (eds.). 2010. Il Carnevale e ilMediterraneo [Carnival and the Mediterranean]. Bari: Progedit.
50. Sisto, P., and P Totaro (eds.). 2014. La maschera e ilpotere [The mask and the power]. Bari: Progedit.
51. Sordi, I. (ed.). 1982. Interpretazioni del Carnevale [Interpretations of the Carnival]. La ricerca folklorica numero monografico 6.
52. Sordi, I. 1993. Il carnevale di Ottana e le sue maschere, in Alle radici del teatro (a cura del Centro teatrale S'Arza) [The Ottana carnival and its masks, in At the roots of the theater (edited by the S'Arza Theater Center)], 29-40. Sassari: Gallizzi.
53. Spera, V.M. 2004. Il sarmento e l'edera. Metamorfosi di un carnevale contadino. Le “propaggini” di Putignano fra arcaismo e televisione [The sarment and the ivy. Metamorphosis of a peasant carnival. The “offshoots” of Putignano between archaism and television]. Perugia: Gramma Edizioni.
54. Testa, A. 2014. Il carnevale dell'uomo-animale. Le dimension! storiche e socio-culturali di una festa appenninica [The man-animal carnival. The historical and socio-cultural dimensions of an Apennine festival]. Naples: Loffredo editore.
Аннотация
Маски и карнавалы в современной Сардинии
Манниа, Себастиано*
Карнавал занимает важное место в культурной жизни Сардинии и привлекает внимание ученых в силу постоянно обновляющихся значений и функций. Более того, институт карнавала относится к числу культурных акций, обладающих большим потенциалом влияния на существование локальных, спонтанно возникающих в его контексте групп активистов и культурных объединений, деятельность которых в свете карнавала активизируется, перепрофилируется, меняется: местные традиции переосмысливаются и приобретают новое звучание наряду со специфическими идентичностями и новыми формами выражения. В этом смысле можно говорить о новых карнавалах и о новом звучании культурного наследия в изменившихся экономических и социальных контекстах. Иными словами, сегодняшние образы и маски в русле современных потребностей и запросов общества отсылают к некой не исторически бытовавшей, но искусственно созданной, вымышленной традиции. Сардинские карнавалы являются наглядным примером тех спонтанных, эндогенных настроений и процессов, которые рождаются в современном локальном социуме прежде всего с целью удовлетворения «идентификационных потребностей». Это приводит к акцентированию, восстановлению, «вторичной подаче» и изменению ряда элементов традиции. Автор статьи пытается осмыслить отмеченный комплекс вопросов, подчеркнуть сложность и многогранность карнавального феномена на Сардинии.
Ключевые слова: маски, карнавал, культурное наследие, Сардиния
Размещено на Allbest.ru
...Подобные документы
Japan is a constitutional monarchy where the power of the Emperor is very limited. Тhe climate and landscape of the country. Formation of language and contemporary trends, religious trends. Household and national traditions. Gender Roles in Japan.
курсовая работа [48,1 K], добавлен 08.04.2015A long history of French culture. Learning about cultural traditions of each region of France is a richly rewarding endeavour and just pure fun. Customs and traditions in France. French wedding and christmas traditions. Eating and drinking in France.
реферат [51,5 K], добавлен 11.02.2011Theatre in British history as an integral part of the cultural heritage. Stages of professional development of the theater from the first theater and the trivial to the most modern experimental projects. Famous people of British theater for centuries.
курсовая работа [58,6 K], добавлен 06.12.2013The concept of "intercultural dialogue". The problem of preserving the integrity nations and their cultural identity. formation of such a form of life, as cultural pluralism, which is an adaptation to a foreign culture without abandoning their own.
статья [108,6 K], добавлен 12.11.2012Introduction to business culture. Values and attitudes characteristic of the British. Values and attitudes characteristic of the French and of the German. Japanese business etiquette. Cultural traditions and business communication style of the USA.
методичка [113,9 K], добавлен 24.05.2013The role of the Queen in the modern society. The royal prerogatives and functions. The main sources of income. Principal ceremonials connected with royalty. The coronation of the British monarch. Members of the Royal Family. The Ceremony of the Keys.
реферат [41,6 K], добавлен 09.11.2013The development of painting in the USA. The First American Revolution and the young republic. Landscape, history and marine painting. American Museum of Natural History. National Gallery of Art. Leslie Lohman Gay Art Foundation, the Philips Collection.
курсовая работа [74,6 K], добавлен 12.02.2014The main types of stereotypes, their functions, leading to illustrate the differences in cultures and national symbols. The use of stereotypes of the main ways in which we simplify our social mir.Funktsiya transfer relatively reliable information.
презентация [1,1 M], добавлен 06.12.2014Holiday celebrations in America signify the rich blending of historic traditions from other cultures with the uniquely commemorative nature of the people of the United States. Brief review and description basic national and ethnic holidays of Americans.
курсовая работа [42,3 K], добавлен 02.04.2013James Cameron is famous canadian film director, screenwriter, producer, and researcher of the underwater world. James Cameron's filmography includes five financial records. Interesting Facts of life and work of film director. History of the personal life.
презентация [3,3 M], добавлен 21.10.2014Singapore is a cosmopolitan society where people live harmoniously among different races are commonly seen. The pattern of Singapore stems from the inherent cultural diversity of the island. The elements of the cultures of Canada's Aboriginal peoples.
презентация [4,7 M], добавлен 24.05.2012Customs and traditions, national and religious holidays, the development of art and architecture in Turkey. Description of the relationship of Turks to the family, women, marriage, birth and burial. Characteristics of the custom of Sunnet - circumcision.
реферат [28,1 K], добавлен 21.01.2012Розгляд еволюції розвитку мистецтва від експериментів імпресіоністів, крізь постімпресіонізм, кубізм, неопримітивізм, алогізм і, нарешті, безпредметне мистецтво. Характеристика напрямів сучасного мистецтва, філософське обгрунтування contemporary-art.
статья [23,9 K], добавлен 24.04.2018Periods of art in Great Britain. Earliest art and medieval, 16th-19th Centuries. Vorticism, pop art, stuckism. Percy Wyndham Lewis, Paul Nash, Billy Childish as famous modern painters. A British comic as a periodical published in the United Kingdom.
курсовая работа [3,3 M], добавлен 02.06.2013Kazakh national clothes as the best that could create art and talent of craftsmen for centuries. Women's traditional clothes. Hats for women Male Kazakh costume. Kalpak, takyya, borik - men's hats. Tymak - most original headdress for in the winter.
презентация [662,6 K], добавлен 11.03.2014Short-story description of public holidays of Great Britain: Christmas, New Year, Easter, spring and summer Bank holidays. Conservative character of Britannic festive traditions. Tradition and organization of celebration of New Year and Christmas.
реферат [21,1 K], добавлен 05.02.2011The "dark" Middle Ages were followed by a time known in art and literature as the Renaissance. The word "renaissance" means "rebirth" in French and was used to denote a phase in the cultural development of Europe between the 14th and 17th centuries.
реферат [13,3 K], добавлен 05.07.2007The concept of the Golden Ring of Russia, its structure and components. Cities included in it: Sergiev Posad, Pereslavl-Zalesskiy, Rostov, Yaroslavl, Kostroma, Ivanovo, Suzdal, Vladimir. Sights to these cities and assessment of their cultural values.
презентация [7,0 M], добавлен 12.01.2016The Brooklyn Bridge is a popular landmark in the New York City. The History and the Structure of the Brooklyn Bridge. The Bridge and American Culture. Ethnic and foreign responses to America, nationalism, memory, commemoration, popular culture.
реферат [13,1 K], добавлен 09.07.2013A particular cultural grouping is a way for young people to express their individuality. Bikers movements in the USA, Europe and Russia. Symbolism and closes of bikers. Night Wolves - is Russia's first biker club. The most popular groups among bikers.
презентация [1,5 M], добавлен 12.03.2013