A new approach to the typology of nonce words (on the base of Ukrainian poetical discourse)

Analysis of the main aspects of modern studies in the field of occasional science. Extended classification of phonetic occasionalisms. The essence of each type of individual-author units on the examples of vocal-consonant innovations of Ukrainian poets.

09.10.2018
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A NEW APPROACH TO THE TYPOLOGY OF NONCE WORDS (ON THE BASE OF UKRAINIAN POETICAL DISCOURSE)

The linguistics of the last decades is characterized by an activation of researches in the fields of neology, neography and nonce word studies. In connection with this, there is an urgent need to establish a terminological and conceptual apparatus, devoid of any ambiguity of interpretation, as well as the development of clear definition of the category occasionality. On the basis of the review of modern linguistic studies devoted to the processes of the individually author's nomination, scientific works can be grouped in accordance with the aspects of the solved problems:

1) the substantiation of the term nonce word (occasionalism), the differentiation between the terms nonce word, neologism, potential word (scientific articles by O. Turchak, Zh. Koloiz, V. Hladka, K. Nykytchenko,

O. Kosovych, N. Belova, V. Zerula);

2) functioning of occasionalisms in political, advertising texts and mass-media (works by N. Yemchura, T. Krutko, L. Kravchuk, Yu. Kaluzhynska, L. Diadechko, O. Siredzhuuk, O. Styshov, P. Nissile);

3) nonce-words in the fairy-tale genre and fantasy (researches by I. Denysova, I. Aleksandruk, A. Zubryk, D.-E. Vladu);

4) problems of translation of occasional units (works by O. Turchak, A. Zubryk, D. Mymrina, A. Vaseeva);

5) children's occasional word-building (articles by K. Krutii, O. Kosovych, I. Denysovets, O. Mokliak);

6) lexical occasionalisms in poetry (scientific works by H. Vokalchuk, I. Loshchynova, I. Brailko, L. Pavlenko).

The second and sixth aspect groups have the highest level of scientific elaboration. The least investigated is the sound organization of belletristic communication texts. So, the connotative semantic-pragmatic parameters of Ukrainian poetic language were researched by L. Ukrainets. The problem of phonetic occasionalisms (hereinafter - OPh.U, Ph.NW) using in poetic discourse still remains unrepresentative in linguistic results by Ukrainian and foreign researchers.

The purpose of the article is to determine the place of phonetic occasionalisms in the general classification of author's innovations, to classify vocal-consonant occasional units.

The material for our research is Ukrainian poetical discourse of 20th - 21st centuries.

The scientific usage of the concept of occasionalism begins since the end of the 19th century, when in 1880 the work by German linguist G. Paul Principles of the History of Language was published (Paul). In 1926 the term occasional was used by R. Shor in the work Language and Society (Shor). However, strengthening the position of the definition occasionalism is associated with the name N. Feldman, who in 1957 (in the article Nonce Words and Lexicography) initiated the study of occasional vocabulary from the point of view of theory (Feldman).

Problems of nonce words classification are actively investigated from the end of the 20th century. To date, there are several groups of occasionalisms. Thus, N. Babenko distinguished 5 types of occasional units:

1) phonetic occasionalisms;

2) lexical occasionalisms;

3) grammatical occasionalisms;

4) semantic occasionalisms;

5) occasional word-combinations (Babenko).

Some researchers distinguish graphoderivatives (Izotov 83), or graphosementisms (Vokalschuk 26), occasionalisms focused on graphic (Styshov 49). H. Vokalchuk adds quasinomination and neoborrowing (Vokalchyk 26). L. Pavlenko and A. Lykov extend the classification by juxtapositions (Pavlenko 38; Lykov 11).

The Slavonic linguist E. Zemskaya among the causes of occasionalisms' rise calls the non-normative use of derivational models, which is associated with an insufficient level of language learning (for example, children's occasional word formation) or conversely, with an extremely high level of language proficiency and the desire to language renovation (for example, writers) (Zemskaya 59). Individually author's innovations become the most complete design of the latent language resources, enriching the arsenal of expressive means (Brailko 61).

Occasionalisms in poetical communication are formed by a non-productive model (Hanych 165), which promotes to the amplification of the expressiveness of a word innovation (that has an inherent character); that is, occasional units are expressive in themselves due to the peculiarities of the internal word-building structure (Hladka 24). Based on the existing derivative potential of the language, poets expand the sphere of effect of word-building schemes and models (Brailko 61). However, OPh.U are a completely separate kind of author's innovations, because they not only neutralize the linguistic norm, but also often formed on the pattern of author's model, which does not even exist in the language.

Modern Ukrainian poetical discourse has absorbed the most diverse types of occasional units, since masters of artistic word tend to non-stereotype reproduction of the surrounding world (Brailko 57).

We propose our own classification of Ph.NW, in which we pay special attention to the understudied component - OPh.U.

On the basis of a linguistic analysis of 1500 pages of Ukrainian poetry discourse the Ph.NW were selected by the continuous sampling method. By classifying these sound individually author's new poetical discoveries, we were guided by 3 criteria:

1) the degree of deviation from usage;

2) the presence of assonances and alliterations;

3) cooperation with other levels of language.

Based on these criteria and on the above described classifications, the OPh.U are divided into 6 main groups, some of which are subdivided into subgroups:

1. Actual phonetic occasionalisms, or direct phonetic occasionalisms.

2. OPh.U at the level of sound-reproducing and sound-imitation (onomatopoeia) have 3 varieties:

2.1. OPh.U for the representation of human actions (voice, steps, etc.);

2.2. OPh.U, which simulate the sounds of wildlife (voices of animals, birds, natural phenomena);

2.3. OPh.U, which form the acoustic impression of the movement of machines and mechanisms (like clockwork, car, etc.).

3. OPh.U, connected with the change of the inner form of the word.

4. O.Ph.U of an allusion type.

5. OPh.U on the base of alliterations and assonances.

6. Complex occasional graphic-phonetic formations, including:

6.1. Occasionalisms focused on graphic form;

6.2. Quasinomination;

6.3. Juxtaposition;

6.4. Combining several types of above-mentioned OPh.U.

Let's consider each type of Ph.NW on examples, selected from the Ukrainian poetical discourse.

1. Actual, or direct OPh.U, is a type of occasional novelties that has a zero interpretation outside the context. This type is fully optimized for the effect of acoustic and articulatory properties of sounds (Hryshko 254-255). That is, the author creates a kind of poetic play with sound (Kachurovskyi 186). For example, as completely occasional poem Lialia (Baby) by G. Shkurupii, in which the artist most actively uses Ukrainian consonant sound [l] and vowels [i], [a] that create a positively marked aesthetic modality (Ukrainets 195) exactly thanks to acoustic and articulatory characteristics of these sounds:

볺 볺 <.. .>

<.>

<.. .>

(Shkurupii).

2. OPh.U on the base of sound-imitation and sound-reproducing are different from the traditional (which often used in fiction and easily recognizable outside the context). For example, with the help of sound-reproducing, M. Semenko in his poetical work Virsh (The Poem) simulates the noise of tires, and Yu. Shpol in the poem Sumom smerekovykh sniv. (By the Sadness of Fir Dreams.) - the tick of the clock:

<...> (Semenko 149);

<...> , ...

?!..

ij! !

ij--, -! <...>

! - -- -

: -

--. --. ... ... <...> (Shpol 72).

B.-I. Antonych in the poem Popid namy, popid namy... (Under Us, Under Us.) combines the sound- reproduction of human voice and human steps:

<...> ,

, , ,

,

, , .

, , , , , , <...>.

, , , , <...> (Antonych 251-252).

B.-I. Antonychch perfect simulates in his poetical works the sounds of nature, such as the noise of water, which in connection with alliteration sh [J], increases the lexeme shum (noise):

, , <...>

<...> (Antonych 67).

3. OPh.U, connected with the transformation of the word inner form, are based on intentional substitution by the author of the normatively expected phonemes. For example:

<...> . .

-. --- <...> fAndrukhovych, Ekzotychni Ptakhy i Roslyny 6). phonetic occasionalism vocal consonant

There is also a model of direct author's occasional metathesis in this poem.

Another example of a OPh.U of this type intensifies the effect on the addressee owing to the alternation of regulatory for this context Ukrainian voiced sounds d [d], zh [3], b [b] with their unvoiced correlates. This creates the effect of specific articulatory stylization like in German language:

<...> , ,

<..> (Andrukhovych, Moia Ostannia Terytoriia 28).

4. OPh.U of an allusion type are similar to folk genres (charms, glossolalias, meditations, folk ritual songs, etc.): <...> (Irvanets 69).

The frequent for this type of PhNW in the Ukrainian poetical discourse are a repetition lada, dana that have ancient history of mythical poetical creativity. After all, lada is an appeal to the Old Slavonic goddess of world harmony, beauty and love Lada. This appeal is common in the Ukrainian calendar-ritual poetry of the spring cycle (Voitovych 271). Dana is a goddess of water and rivers, and an appeal to her is also inherent in Ukrainian ritual (Voitovych 125):

<.> --, , -!.. (Andrukhovych, Moia Ostannia Terytoriia 21);

<...> .

. . (Andrukhovych, Moia ostannia terytoriia 32).

In the poem by Yu. Andrukhovych, there is also the appeal to Koliada, which is not accidental: Koliada is an Old Slavic god, who begins a new agricultural year (Voitovych 240). As you can see, OPh.U can acquire sacral semantics.

5. OPh.U based on alliterations and assonances often combines with direct OPh.U and OPh.U at the level of sound-reproducing and onomatopoeia, duplicating their vocal-consonant structure and acting as an important constructive means (Koptilov 214). The usual repetition of homogeneous sounds is relatively neutral, but related to other elements of emotionally colored speech, in the system it becomes an element of the strengthening of this emotionality (Timofeev 33):

-

˳

<...>

--

--

<...> (Neborak 309)

6. Complex graphic-phonetic occasional formations in the Ukrainian poetical discourse are like basis for the construction of logogriphs, meso-poems, pseudosegmentations, poetry-conglomerates, etc. (Literaturoznavchyi Slovnyk-Dovidnyk).

For example, poetical works by V. Neborak is marked by the functioning of a large number of complex graphic- phonetic occasional units. Thus, in the poem Bubon (Tambourine) poet with a pragmatic aim to influence on addressee simulates the mood of protest, first of all using the intensification of the labial consonant [b] and labialized vowel [u]:

<...> <...>

(Neborak 304)

Phonetic accentuated occasionalisms, which are components of the logogriph, are active in the poem Vona Pidnimaietsia Yak Holova... (It Goes Up Like A Head...), in which the author gradual makes short the phrase Ya litaiucha holova (I am a flying head):

<...> - ˲ ˲ ˲ (Neborak 306).

Such a logogriph, however, without graph-accented occasionalism, is in the creative work by Yu Pozaiak. The author builds a poem on the gradual shorting of refrain phrases Prykhodte do mene zavtra! Ya rozkazhu vam pravdu! (Come to me tomorrow! I will tell you a truth!). The poet shorted these phrases at the end of the work to direct Ph.NW:

!

!

!

!

!

!

! (Pozaiak)

The quasinominations and juxtapositions are spreading linguistic units in the Ukrainian poetical discourse. For example, O. Irvanets in his poem Proshchalnyi Romans (Parting Romance) combines quasinomination with pseudosegmentation :

,

--- ?

, , ,

鿿!.. (Irvanets 21)

I. Rymaruk in his poetical work Hlosolaliia (Glossolalia) uses only quasinomination as a Ph.O:

<...> <...> (Rymaruk 206).

The modem Internet-poet Ze Ja creates the original compound by combining graph-accented occasionalism and quasinomination:

<...> - ---

<...> (Ze Ja 32).

The most frequent component of juxtapositions is a semantically marked lexeme (mamma) that (combining with its part of juxtaposition) forms a special stylistic effect thanks to assonances of Ukrainian vowel [a]. From the point of view of Ukrainian phonetic semantics, vowel [a] has a positive associative meaning for Ukrainian native speakers (Ukrainets 73). For example, there are assonances [a] in the structure of juxtapositions in the poems by S. Zhadan (there are 3 Ukrainian vowels [a] among 4 vowels of juxtaposition), O. Irvanets (all 5 vowels of juxtaposition are represented by [a]), and Yu. Andrukhovych (there are 5 Ukrainian vowels [a] among 5 vowels of juxtaposition, too):

/ <...> / <...>

/ <...> (Zhadan 109);

<...> -,

-. <...>

, -

-. <...> (Irvanets 60);

<...> -

<... > (Andrukhovych, Ekzotychni Ptakhy i Roslyny 81).

Thus, occasional nonce words in Ukrainian poetical discourse are a productive mean of phono-stylistics. While they exercise a pragmatic function, enhances emotional expression. The highest level of context including have phonetic occasionalisms. There are six types of vowel and consonant novelties in Ukrainian poetical communication. Within the context of one poetic work include at least two types of nonce words. Certain types of O.Ph.U are based on lexical and grammatical individual-author's units. Our research is not limited to the obtained results and it is oriented on further detailing of phonetic occasionalisms' classification, as well as on the description of the interaction of occasional units at phonetic language level (as the base one) with units at other levels, in particular lexical.

References

1. Babenko, Nadezhda G. Okkasionalnoye v Khudozhestvennom Tekste. Strukturno-semanticheskiy Analiz (Occasional in the Belletristic Text. Structural And Semantic Analysis). Kaliningrad, 1997. Web. 26 Oct. 2017.

2. Brailko, Ihor. Funktsionuvannia Okasionalnykh Imennykiv v Ukrainskii Poesii 20-30 rokiv XX stolittia (Occasional Nouns Functioning in Ukrainian Poetry of 20-30 years of 20th century). Problemy Hramatyky, Fonetyky, Linhvistyky (Problems of Grammar, Phonetics, Linguistics). Poltava, 2001. 56-61. Print.

3. Feldman, N. I. Okkasionalnye Slova i Leksikografiya (Nonce Words and Lexicography). Voprosy Yazykoznaniya (Questions of Linguistics) 4(1957): 64-73. Print.

4. Hanuch, Dmytro I., and Ivan S. Oliinyk. Slovnyk Linhvistychnykh terminiv (Dictionary of Linguistic Termini). Kyiv: Vyshcha Shkola, 1985. Print.

5. Hladka, V. A. Problema Vidokremlennia Neolohismiv Vid Okasionalnykh Utvoren (The Problem of Neologisms Separating From Occasional Forms). Naukovyi Visnyk Chernivetskoho Universytetu (Scientific Herald of Chernivtsi University). Issue 484: Romano-Slavonic Discourse (2009): 21-26. Print.

6. Hryshko, Yuliia. Typy Fonetychnykh Okasionalismiv u Suchasnomu Ukrainskomu Poetychnomu dyskursi (Types of Phonetic Nonce Words in the Modern Ukrainian Discourse). V Mizhnarodna Naukovo-Praktychna Internet- Konferentsiia Suchasna Humanitarystyka. 15 hrudnia 2017, Pereiaslav-Khmelnytskyi (VInternational Scientific and Practical Internet-Conference Modern Humanitaristics, December 15, 2017, Pereiaslav-Khmelnytskyi). Pereiaslav- Khmelnytskyi (Kyiv Region), 2017. 253-258. Web. 15 Dec. 2017.

7. Izotov, V. P. Parametry Opisaniya Sistemy Sposobov Russkoho Slovoobrasovaniya (Parameters for Describing of Russian Wordbuilding System). Orel: Publishing House of OSU, 1998. Print.

8. Kachurovskyi, Ihor. Fonika (Phonics). Munich, 1984. Print.

9. Koptilov, V. V. Zvukovi Povtory i Spivvidnoshennia Mizh Nymy (Sound Reiterations And Correlation Among Them). Suchasna Ukrainska Literaturna Mova. Stylistyka (Modern Ukrainian Literary Language. Stylistics). Ed. by I. K. Bilodid. Kyiv: Publishing House Naukova Dumka, 1973. 214-228. Print.

10. Literaturoznavchyi Slovnyk-Dovidnyk (Literary Reference Dictionary). Ed. by R. T. Hromiak, Yu. I. Kovaliv & V. I. Teremko. Kyiv: Publishing Centre Akademiia, 2006. Print.

11. Lykov, Aleksey G. Sovremennaya Russkaya Leksikologiya (Russkoe Okkasionalnoe Slovo) (Modern Russian Lexicology (Russian Nonce Word)). Moscow, 1976. Print.

12. Paul, Herman. Principien der Sprachgeschichte (Principles of History of Language). Halle, 1880. Web. 29 Jan. 2018.

13. Pavlenko, L. P. Skladni Imennyky-Okasionalismy v Poetychnomu Konteksti (Compound Occasional Nouns in Poetical Context. Ukrainska Mova I Literatura v Shkoli (Ukrainian Language and Literature in the Secondary School) 8 (1983): 33-34. Print.

14. Shor, Rosaliya. Yazuk i Obshchestvo (Language and Society). Moscow: URSS, 2015. Print.

15. Styshov, O. A. Ukrainska Leksyka Kintsia XX Stolittia (Na Materiali Movy Zasobiv Masovoii Invormatsii) (Ukrainian Vocabulary of the End of 20th century (On the Base of Mass-Media Speaking)). Kyiv: Publishing Centre of KNLU, 2003. Print.

16. Timofeev, Leonid I. Ocherki Teorii i Istorii Russkoho Stikha (Essays in Theory and History of Russian Poem).

17. Moscow, 1958. Print.

18. Ukrainets, Liudmyla F. Fonetychna Konotatsiia v Ukrainskii Poetychnii Movi XX-XX Stolit: Semantyko- prahmatychnyi Vymir (Phonetic Connotation in Ukrainian Poetical Language of 20th-21st centuries: Semantic and Pragmatic Aspect). Poltava, 2014. Print.

19. Voitovych, Valerii. Ukrainska Mifolohiia(Ukrainian Mitology). Kyiv: Lybid, 2002. Print.

20. Vokalchuk, Halyna M. Ya - Bezzrazkovosti Poet (Slovotvorchist M. Semenka) (I am a Poet of Non-Standard (Creative Wordbuilding by M. Semenko)). Rivne: Perspektyva, 2006. Print.

21. Zemskaya, Elena A. Kak Delayutsa Slova (How Words Arise). Moscow, 1963. Print.

List of Sources

22. Andrukhovych, Yurii. Ekzotychni Ptakhy i Roslyny: Poesii (Exotic Birds and Plants: Poetry). Kyiv: Molod, 1991. Print.

23. Andrukhovych, Yurii. Moia Ostannia Terytoriia. Vybrani Tvory. Poesiia, Proza, Eseistyka (My Last Territory. Selected Works. Poetry, Prose, Essays). Lviv: LA Piramida, 2009. Print.

24. Antonych, Bohdan-Ihor. Vybrani Tvory. Poesii (Selected Works. Poetry). Kyiv: Smoloskyp, 2012. Print.

25. Irvanets, Oleksandr. Mii Khrest (My Cross). Kharkiv: Folio, 2010. Print.

26. Neborak, Viktor. Poesii (Poetry). Bu-Ba-Bu(Yurii Andrukhovych, Oleksandr Irvanets, Viktor Neborak). Vybrani Tvory. Poesiia, Proza, Eseistyka (Bu-Ba-Bu(Yurii Andrukhovych, Oleksandr Irvanets, Viktor Neborak). Selected Works. Poetry. Prose. Essays). Lviv: LA Piramida, 2008. 304-348. Print.

27. Pozaiak, Yurko. Poesii (Poetry). Web. 25 Nov. 2017.

28. Rymaruk, Ihor. Sloza Bohorodytsi. Poesii (Virgin Mother's Tear. Poetry). Kyiv: Dnipro, 2008. Print.

29. Semenko, Mykhail. Poesii (Poetry). Kyiv, 1985. Print.

30. Shkurupii, Geo. Psykhotezy. Vitryna Tretia. Poesii (Psychotheses. The Third Showcase. Poetry). Web. 30 Nov. 2017. Shpol, Yulian. Vybrani Tvory. Poesii (Selected Works. Poetry). Kyiv: Smoloskyp, 2007. Print.

31. Zhadan, Serhii. Lili Marlen: Knyha Novykh ta Vybranykh Virshiv (Lily Marlen: The Book of New and Selected Poems). Kharkiv: Folio, 2011. Print.

32. Ze Ja. Poesii (Poetry). 100 Molodykh Poetiv Ukrainy. Antolohiia (100 Young Poets of Ukraine. Anthology). Kyiv: Avtohraf, 2006. 32. Print.

List of Abbreviations

33. OPh.U -occasional phonetic unit Ph.NW - phonetic nonce word

34. 18 2018 .

35. A NEW APPROACH TO THE TYPOLOGY OF NONCE WORDS (ON THE BASE OF UKRAINIAN POETICAL DISCOURSE)

36. Yuliia Hryshko

37. Ukrainian Language Department, Poltava V. G. Korolenko National Pedagogical University, Poltava, Ukraine

Annotation

The scientific researches in the field of neology, neography and occasionalistics are active in the modern linguistics but the research of phonetic occasionalisms (nonce words) is an actual problem. There is definition of phonetic nonce word in linguistic but still without detail describing and classification.

Purpose: The purpose of the research is to distinguish phonetic nonce words in the common classification of occasionalisms and to describe them with giving examples from Ukrainian poetical discourse.

Results: We have analyzed 1 500 pages of Ukrainian poetical discourse. As the main method for selection of phonetic occasionalisms we used continuous sampling method which makes it possible to classify phonetic occasionalisms into six groups: 1) direct phonetic occasionalisms; 2) phonetic occasionalisms on the base of sound- imitation and sound-reproducing; 3) phonetic occasionalisms on the base of word inner form transformation;

4) phonetic occasionalisms on the base of alliterations and assonances; 5) phonetic occasionalisms of allusion type;

6) complex phonetic and graphic occasional combinations which include the features of two or more above-mentioned types of occasionalisms. The second and fifth groups have also sub-groups. The second group of occasionalisms includes: phonetic occasionalisms which represent sound effect of a human voice / steps etc.; phonetic occasionalisms which represent sound effect of nature (birds, animals, rain, thunder etc.); phonetic occasionalisms which represent sound effect of different machines and mechanism (clockwork, car etc.). The fifth group includes: graphic occasionalisms; quasi-nomination; juxtaposition; combinations of different types.

Discussion: Ukrainian poetical discourse is characterized by functioning of different types of occasionalisms which have place on all language levels - from phonetic to syntactic. Lexical nonce words and phonetic occasionalisms are the most active stylistic units in Ukrainian poetry. In our future researches we will describe correlations of lexical and phonetic nonce words in belletristic literature.

Keywords: occasionalism, phonetic occasionalism, classification of phonetic occasionalisms, criterion of occasionality, Ukrainian poetical discourse.

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