The use of drama in elt - pros and cons
Imaginary gardens with real toads: Reading and drama in education. The role of drama in task-based learning: modern Agency, identity and autonomy. A collection of games and activities for low to mid-intermediate students of English and Tulcea-Romania.
Рубрика | Литература |
Вид | статья |
Язык | английский |
Дата добавления | 08.07.2021 |
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THE USE OF DRAMA IN ELT - PROS AND CONS
Raluca Andronic
This article entitled The Use of Drama in ELT - Pros and Cons consists of a selection of extracts from the scientific paper with the same name written by Ms. Raluca Andronic - an English teacher from Tulcea-Romania. (Such scientific papers tackling methodological aspects in teaching represent an assessment instrument based on which a teacher may achieve the highest level in teaching and the above mentioned paper has reached its purpose with a maximum grade.)
The paper is 135 pages long, comprising an Argumentation and 4 chapters, conclusions, annexes and bibliography/ resources, while the article is 33 pages long and it contains 6 sections, the annexes and a selected bibliography. Each of these sections were subchapters from Chapter 1 and Chapter 4 in the initial paper. Section 1 is an Introduction presenting the role of drama in education, sections 2 and 3 highlight the compatibility between drama and teaching, section 4 is about the aims and objectives of the research underlying the scientific paper, section 5 is a set of 5 lesson plans which were employed in the experimental phase of the research and section 6 brings the conclusions of the research, followed by the annexes of the lesson plans.
Key words: ELT, drama activities, role-play, improvisation, mime, grammar, vocabulary.
garden drama english romania
Andronic R. Utilizarea drama оn elt -- pro si contra
Acest articol intitulat The Use of Drama in ELT - Pros and Cons este o selectie de fragmente extrase din lucrarea metodico-stiintificд cu acelasi nume elaboratд de d-na Raluca Andronic - profesor de limba englezд din Tulcea, Romвnia. (Astfel de lucrдri stiintifice privind aspect metodologice utilizate оn predare reprezintд un instrument de evaluare pe baza cдruia se poate obtine Gradul didactic I оn mvдtдmдntul romвnesc, iar lucrarea mai sus-mentionatд a primit nota maximд si si-a оndeplinit menirea.)
Lucrarea are 135 de pagini, cuprinzвnd un Argument si 4 capitole, apoi concluzii, anexe si bibliografia, оn timp ce articolulare 33 de pagini, continвnd 6 sectiuni, anexele si bibliografia selectivд. Aceste sectiuni sunt fragmente din Cap. 1 si Cap. 4 din lucrarea initialд. Sectiunea 1 este o Introducere ce prezintд rolul artei dramatice оn educatie, sectiunile 2 si 3 evidentiazд compatibilitatea dintre arta dramaticд si predare/ munca la catedrд, 4 este despre scopurile si obiectivele cercetдrii care a stat la baza lucrдrii stiintifice, sectiunea 5 cuprinde un set de 5 planuri de lectie care au fost folosite оn faza experimentalд, iar sectiunea 6 aduce concluziile cercetдrii, urmate de anexele planurilor de lectie.
Cuvinte-cheie: ELT, activitдti din arta dramatic, joc de rol, improvizatie, mimд, gramaticд, vocabulary, mvдtare interpersonalд.
SESSION 4
1. TOPIC: Kitchen and food related vocabulary
2. AIMS:
> To develop/ Revise vocabulary related to kitchen objects and food
> To practise giving instructions/ directions
> To practice the use of the imperative
> To develop writing skills - for creating a recipe
3. DRAMA ACTIVITIES/STRATEGIES EMPLOYED: hot seating, teacher in the role, role-play, improvisation, interview
4. TIME; 50 min.
5. MATERIALS: picture projected on the screen, posters (created by students), (flash) cards, role-play cards, worksheets, and optionally - realia (toy or real kitchen tools brought by the teacher and/or students) - Annex 4
Step 1: (5 min.)
The teacher uses the hot seating strategy to impersonate a famous Romanian chef whom students should be familiar with from TV shows. The students ask questions until they guess who the character is. The students are engaged in short conversations about cooking and food.
Step 2: (10 min.)
The teacher uses the projector to show the students a picture of a kitchen with all the typical furniture and equipment. Students are asked to some of the items they see. Then they are grouped in teams of 7; each team is supposed to create a poster displaying a word-web/wheel on the following lexical fields: kitchen equipment, kitchen furniture, cutlery and crockery, and basic food(s). The groups exchange the lists of words, by passing their own list to the next team and while doing that, each team can add new words on the list, by using a pencil of a different colour. The posters are displayed in front of the classroom.
Step 3: (15 min.)
Students are organised in groups of 4. Their task is to imagine that one of them has a broken leg and must stay in bed, and the other three are friends who come to help him/her out by making breakfast/lunch/dinner for him/her. The three friends ask for directions to find the food/ ingredients and the kitchen tools they need. The injured one gives them the necessary directions. Based on a role-play card, the students must write the dialogue and then act it out. If necessary, the teacher provides/writes on the board the prepositions that are necessary for giving directions. Step 4: (20 min.)
If the previous activity is done in due time, the students are asked to work in pairs, to make an interview. Half of them will be the reporter and the others will pretend that they are a famous chef who talks about his/her favourite dish and offers the recipe for it. The students must improvise. The recipe must be simple. They only have a few support words and a model for a recipe projected on the screen. One recipe is voted for and is written by all the students on their notebook. Optionally, the teacher may reward the students' work by offering them cookies since the reward is thus concretely related to the topic of the lesson.
Observations Positive aspects:
Everyday life experiences and situations easily re-created in the classroom S The possibility of using numerous realia allowed kinaesthetic learning SIntrapersonal learning
Interpersonal learning due to efficient pair or team work SCreativity
A balanced combinationofspeaking and writingskills
Fair share of participation of every student
Negative aspects:
Activities involving more tasks tended to take more time than expected o Monitoring a large number of pairs of students is sometimes difficult oMonitoring itself may betime-consuming at times
Some students were still intimidated by the idea of improvising, of speaking without a material support
There was not enough time for writing the whole recipe in step 4
Conclusions
As in the previous activities, I noticed that the positive aspects resulting from the use of drama activities in my ELT research prevailed. It has become obvious once again that when used in ELT, drama allows real life experiences to be re-created in the classroom, and that the students' creativity is a great asset that is put into motion, stimulated and developed by such activities. Students seemed more and more involved and less intimidated by most of the tasks. They asked to be corrected whenever their task was ready and they were delighted to receive cookies as rewards after talking about food during the activity. My purpose was to help students associate these learning experiences with exciting, rewarding activities and fun, in order to change their old perception about learning and to raise their motivation for it.
SESSION 5
1. TOPIC: “Last week” - Past Tense Simple
2. AIMS:
> To practice/Revise the Simple Past
> To develop listening skills
> To develop speaking skills /fluency in telling a story using the Simple Past
3. DRAMA ACTIVITIES/STRATEGIES EMPLOYED: role-play, an information-gap /puzzle game, interview, (guided) improvisation
4. TIME: 50 min.
5. MATERIALS: diary cards, puzzle sheet, pictures, a poster with irregular verbs - Annex 8
Step 1: (10 min.)
The teacher initiates short conversations with a few of the students asking “how was your day yesterday? What did you do after school? Then the students are grouped into teams of 4. Before actually starting the activity, the teacher writes on the board and provides a model of a short conversational exchange and emphasises the use of the Past T. Simple in questions/ interrogative forms, positive and negative answers.
Step 2: (15 min)
Each student is given one of the four diary cards and, without showing the cards to the other members of the group, they must play the role of the character whose name is on the card. Each group is given a puzzle sheet. The purpose of the game is to complete the puzzle sheet by finding out where and when each member of the group met the other members last week. To learn all the necessary information, they need to ask and answer questions. Students are encouraged to add more questions to the puzzle so that everybody has the chance to participate and practice the past simple in questions and answers. They may ask for information related to each day of the week, for each of the 4 characters. The following are samples from a diary card and two questions from the puzzle sheet respectively (the 4 diary cards and the rest of the puzzle sheet are in Annex 4):
Mike's Diary Monday: basketball 2 pm Tuesday: lunch at The Mermaid 1 pm Wednesday: dentist's appointment 10 am Puzzle sheet
Talk to the other members of your group to find the answers for the questions.
1) When did Mike meet John? What did they do?
2) When did Mike meet Alice?
When students finish the task, they check their answers together and the teacher offers feedback.
Step 4: (5 min.)
Since the students discover that the characters they embody all “met at a party last Saturday”, they are given a listening comprehension task (a material about a party I selected from). This task is meant to prepare them for the next step of the lesson.
Step 5: (20 min.)
Students are asked to remain in character and the teacher announces then that the young lady whose party they all attended last Saturday is actually a star/ a famous actress/ a famous singer (Avril Lavigne, for instance) and that one member of each group must interview the others about how the party was. The teacher asks the students to improvise but offers the them some examples on the board and thus guides the students a little at the beginning. During each short interview the others are listening and writing down the information. Based on what they write, the members of each group must write a full diary entry about the party. If there is not enough time to do that in class, they must do it as home assignment.
Observations
Positive aspects:
Higher degree of familiarity with the drama approach in ELT
Dynamic aspect of most tasks, kinaesthetic learning
Abstract aspects of the learning experience easily connected with concrete experiences
Interpersonal learning
A good degree of active and constant participation of every student S Positive reactions to the idea of playing a character and of improvising
Better reactions to practising the use of Past T. Simple, of regular and irregular verbs, than students usually have
The balanced use of speaking, listening and writing.
Entertaining and stimulating tasks/activities
Negative aspects/ Limitations:
The time limit for some tasks was not always observed
Some students did not manage to write down the necessary or relevant information during the interviews
More noise than expected during the interviews
The conclusions after this activity coincide with the ones from the previous activities. The observations for the positive and negative aspects or limitations speak for themselves. The students worked efficiently, they seemed more familiarised with the drama methods and strategies employed. They quickly adjusted to the role/character assigned and they enjoyed the idea of becoming a character in a kind of a play. They seemed more self-confident when using irregular verbs for the Past T. Simple. And similarly to the previous situations, the positive aspects prevailed.
6. FINAL CONCLUSIONS
This study and research were intended to prove how efficient drama - as an approach, method and tool - can be in ELT in general, how beneficial it can be in teaching vocabulary and grammar in particular. As the title of the paper shows, the intention was to verify and ascertain the benefits of drama - the “pros”, but also the limitations - the “cons”.
The results of the research demonstrated that the hypothesis was supported by the observations and conclusions of each session on ELT through drama, the aim and the objectives of this study were accomplished. The following is a synthetic presentation of the conclusions that have arisen from this research:
> Drama is indeed a suitable and holistic approach for ELT. It allows students to develop foreign language skills and knowledge, but also social skills, emotional and behavioural skills.
> Drama creates a meaningful, enjoyable, low-stress atmosphere for learning.
> Drama provides a great variety of activities by which students may acquire knowledge and practise skills.
> Drama activities can be almost ideal tools for developing not only vocabulary and functional language but also grammar knowledge.
> Drama is an excellent frame for developing all skills and it enhances fluency.
> It is also a very powerful and suitable method and tool in creating realistic situations for communication.
> It is a dynamic approach that allows all types of learning, especially kinaesthetic learning which is usually less favoured by traditional teaching methods and approaches.
> Drama allows and encourages intrapersonal learning, since students have a great opportunity to use their personal experience and knowledge in order to participate actively and efficiently to the drama activities during the ELT sessions.
> Drama also stimulates interpersonal learning and teamwork. Students learn to cooperate and learn through cooperation in a natural manner.
> Motivation for learning and self-confidence are boosted due to drama activities in
ELT.
> Drama activities and techniques are both enjoyable and useful, and thus they overcome the academicism and the artificiality of conventional lessons and methods.
To observe the criterion of objectivity that a scientific paper must fulfil, it must be stated that there are also limitations when it comes to using drama in ELT. The most frequently encountered were the limitations related to time, due to the fact that students needed more time for certain drama activities which they were not yet used to, yet this aspect was gradually improved through practice. Also, there was the fact that not all students felt comfortable with certain typical drama activities because they were shy, introverted, they lacked self-confidence and the proper motivation. Yet my experience has proved to me that these problems affect students' performance at school regardless of the subject matter, the approach or the method.
What is very important is that the benefits of using drama in ELT prevail, therefore there are clearly more pros than cons. The existence of the limitations is actually what should make a teacher always re-adjust, refresh and improve the methods and tools employed for the benefit of the students' progress.
As a final conclusion, I consider drama is a very efficient way of improving the learningteaching process involved in ELT and I recommend it to all my fellow-teachers.
ANNEX 1
Example of riddles:
I have two wheels but no engine. You must use the force of your legs to travel with me.
CARDS
How do you go to London?
How do you go to the U.S.A.?
How do you go to the Danube Delta?
How do you go to the mountains if you take a trip? How do you go to school?
Dialogues:
AT THE AIRPORT IN THE QUEUE |
||
Penny |
Oh, I am so excited. I've never flown before! |
|
Woman |
Where are you travelling to? |
|
Penny |
I'm going to Australia to see my cousin. |
|
Woman |
That is nice. How long is the flight? |
|
Penny |
I think it's about 20 hours. AT THE CHECK-IN DESK |
|
Check-in girl |
Good morning -can I see your ticket please? |
|
Penny |
Yes here you are. |
|
Check-in girl |
And can I take your passport? |
|
Penny |
Here it is. |
|
Check-in girl |
That's fine. Please put your luggage on here to be weighed. How many suitcases do you have? |
|
Penny |
Only the two. |
|
Check-in girl |
Sorry but your luggage is 3 kilos over the allowed weight. |
|
Penny |
Oh no! What happens now? |
|
Check-in girl |
You have to pay 20€ for each kilo. |
|
Penny |
60€! Oh, I'll have to pay, as I don't want to miss the plane. AT SECURITY |
|
Security man |
Is this your hand luggage Madam? |
|
Penny |
Yes, why is there a problem? |
|
Security man |
Can you open the bag please? |
|
Penny |
Just a minute.I have to find the key. |
|
Security man |
You do know that you are not allowed to take any sharp objects on the aircraft. |
|
Penny |
But I haven't got anything sharp! |
|
Security man |
You have some nail scissors and these are not permitted.I will have to confiscate them. |
|
Penny |
It seems that everything I do is wrong! |
|
Security man |
Well, you should have read the regulations beforehand. There are notices displayed everywhere in the airport on what you can take on-board. Please proceed to your gate number now Madam. |
|
Penny |
Gate number? I don't know it. |
|
Security man |
If you look at the departure board, you will find the information about your flight. |
|
Penny |
Thanks. AT GATE NUMBER 8 |
|
Air stewardess |
We are ready for boarding now. Please have your boarding passes ready. Please proceed to the aircraft when we call your seat number. |
|
Penny |
Excuse me, where can I find my seat number? |
|
Air stewardess |
It's on your boarding pass Madam. Ah, your seat number is 68J. You will one of the last passengers we call. |
|
Penny |
Oh dear - am I ever going to get to Australia? |
ANNEX2
Charts - daily activities vs. temporary activities Complete chart
name |
usually |
today/ at the moment |
why |
|
Sam |
plays tennis |
is doing the gardening |
The tennis club is closed |
|
Maisie |
visits her parents |
is having a party |
It's her birthday |
|
Will |
goes for a walk |
is staying home |
It's raining |
|
Alex |
does the shopping |
is driving to the airport |
He's going on holiday |
|
Kate |
goes out for lunch with her daughter |
is having lunch at home |
Her daughter is away |
|
Emma |
does aerobics |
is watching TV |
has a broken leg |
|
Tom |
goes swimming |
is staying in bed |
has got the flu |
Gapped info charts for each group
name |
usually |
today/ at the moment |
why |
|
Sam |
plays tennis |
|||
Maisie |
is having a party |
|||
Will |
It's raining |
|||
Alex |
does the shopping |
|||
Kate |
is having lunch at home |
|||
Emma |
has a broken leg |
|||
Tom |
goes swimming |
name |
usually |
today/ at the moment |
why |
|
Sam |
is doing the gardening |
|||
Maisie |
visits her parents |
|||
Will |
goes for a walk |
It's raining |
||
Alex |
is driving to the airport |
|||
Kate |
goes out for lunch with her daughter |
|||
Emma |
is watching TV |
|||
Tom |
has got the flu |
name |
usually |
today/ at the moment |
why |
|
Sam |
is doing the gardening |
|||
Maisie |
It's her birthday |
|||
Will |
is staying home |
|||
Alex |
does the shopping |
He's going on holiday |
||
Kate |
Her daughter is away |
|||
Emma |
does aerobics |
has a broken leg |
||
Tom |
goes swimming |
is staying in bed |
name |
usually |
today/ at the moment |
why |
Sam |
plays tennis |
The tennis club is closed |
||
Maisie |
visits her parents |
is having a party |
It's her birthday |
|
Will |
is staying home |
|||
Alex |
||||
Kate |
goes out for lunch with her daughter |
|||
Emma |
is watching TV |
|||
Tom |
is staying in bed |
ANNEX 3 Gapped dialogues:
A. Dr.: `Good afternoon. How can Iyou today?'
Patient: `I don't feel very well.'
Dr.: `That's too bad. Whatdo you have?'
P.: ` I have a earache and'
Dr. `Let's see. You have a ear'
P.: `What do Ito do?'
Dr.: `You need to putin your ear twice a day.'
P.: `you, doctor!'
Dr.: `You're!'
• drops; welcome; help; need; infection; thank; drops
B. Patient: `Good, doctor! I have a terrible
Dr.:' Whichis it?'
P.: `It's the one on the lower jaw on the'
Dr.: `Open yourI see. You have a
P.: `WhatI need to do, doctor?'
Dr.: `You need aI can do that today.'
P.: `OK, doctor.'
• filling; left; do; morning; toothache; tooth; cavity; mouth; ANNEX4
KITCHEN FURNITURE AND EQUIPMENT
Model for dialogues;
A. `We want to cook breakfast/ lunch/dinner for you.'
B. `Oh, that's so kind of you, guys!'
C. `But we don't know where you keep your stuff in the kitchen.'
D. `Yeah, so how about some chicken soup/ pasta/vegetable salad?'
A. `Good idea! Would you like some?'
B. `Sure, that would be great! '
C. `Where do you keep the knives and cutting board and all the other kitchen tools?'
B. `The knives are in the first drawer in the cupboard. The cutting board is on the last shel
your right.'
D. `And the veggies?'
B. `They're in the fridge which is next to the sink.'
ANNEX 5 Mike's diary
Sue's diary
PUZZLE SHEET
1. When did Mike meet John?
When did Mike meet Julie?
When did Mike meet Sue?
When did John meet Alice?
When did John meet Sue?
When did Alice meet Sue?
When did all four friends meet?
References
1. Bachman L. & Palmer A. (1996). Language testing in practice. Test usefulness: Qualities of language tests. Oxford University Press: Oxford. P. 17-42.
2. Banham M. (1995). The Cambridge Guide to Theatre. Cambridge University Press, P. 2021
3. Booth D. (1985). Imaginary gardens with real toads: Reading and drama in education. Theory into Practice. 24. P. 193-198.
4. Boudreault C. (2010). The benefits of using drama in the ESL/EFL Classroom. The Internet TESL Journal, [online] 16(1) available [31 October 2017]
5. Byrne, D. (1986) Teaching oral English. New Edition London: Longman, 124-125
6. Carson, L. (2012). The role of drama in task-based learning: Agency, identity and autonomy. Scenario[online]6(2). Р.47-60.
7. Cockett S. and Fox G. (1999) Keep Talking: Learning English through Drama Storytelling and Literature. Krakow: Wydawnictwo Naukowe WSP. Р. 85-124
8. Culham, C. (2002). Coping with obstacles in drama-based ESL teaching: A nonverbal approach in Brдuer. G. (Ed.). Body and Language. Westport, CT: Ablex Publishing, Р. 95-112.
9. Delisio E. R. (2007). Using Acting Skills in the Classroom. Education World [online].
10. in EFL.Classroom'. Humanizing Language Teaching Magazine [online] 4.
11. Dodson S. L. (2000). FAQs: Learning languages through drama. Texas papers in foreign language education. 5 (1). Р. 139-141.
12. Dougill J. (1987). Drama activities for language learning. Oxford: Modern English Publications, Р. 39-40
13. Duffelmeyer F.& B. Duffelmeyer (1979). Developing Vocabulary through Dramatization'. Journal of Reading, 23 (2). Р. 141-43.
14. Foil C. R. and Alber S. R. (2003). Drama activities that promote and extend your students' vocabulary proficiency. Intervention in school & clinic. 39 (1). Р. 22-29.
15. Hadfield J. (1990). A Collection of Games and Activities for Low to Mid-Intermediate Students of English. Intermediate Communication Games. Hong Kong, Thomus and Nelson and Sons Ltd., 5
16. Hamilton J. McLeod A. (1993). Drama in the Languages Classroom. London, Р. 14-44. Harmer J. (1998). How to Teach English. Essex: Pearson Education Ltd., Р. 48-53.
17. Harmer J. (2007). The Practice of English Langiage Teaching, Fourth Edition, Peason Longman, Р. 5-16, 64-69, 70, 210-223-265, 283-284, 387, 303-326
18. Hinkel E. (2006). Current Perspectives on Teaching the Four Skills. TESOL Quarterly, 40. Р. 109-13.
19. Holden S. (1981). Drama in Language Teaching. Harlow, Essex: Longman Group Ltd, 1 Kelner L. B., & Flynn R. M. (2006). A dramatic approach to reading comprehension strategies and activities for classroom teachers. Portsmouth. NH: Heinemann. Р. 17.
20. Maley A. and Duff A. (1982). Drama techniques in language learning: A resource book of communication activities for language teachers. Cambridge: Cambridge University Press, Р. 1417
21. Maley A. and Duff A. (2005). Drama techniques. Cambridge: Cambridge University Press Royka J. (2002). Overcoming the Fear of Using Drama in English Language Teaching. The Internet TESL Journal [online]. June 2002. 8 (6).
22. Stern S.L. (1983). Why drama works: A psycholinguistic perspective. In Oller, J. & P. Richard-Amato (Eds.). Methods that work. Rowley: Newberry House Publishers, Р. 207-225. Thorn S. (2009). Mining listening texts. Modern English Teacher. 18(2). Р. 5-13.
23. Thornbury (2004). How to Teach Vocabulary. Pearson Education Ltd., 15.
24. Trivedi M. (2013). Using Theatre Techniques to Develop Effective Communication Skills: A Theoretical Perspective.
25. Vygotsky L. S. (1962). Thought and Language, Cambridge, MA: MIT Press. [online] available
26. Ur P. A. (1996). Course in Language Teaching: Practice and Theory. Cambridge: Cambridge University Press. Р. 3-14, 120-121, 375
27. Walker C. (1998). Books on reading. ELTJournal. 52(2). Р. 172
28. Wallace M. J. (1982). Teaching vocabulary. London: Heinemann Educational Books, 923-60
29. Wessels Ch. (1987) Drama. Oxford: Oxford University Press. 9. Р. 29-137
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