Science and comics: from popularization to the discipline of Comics Studies
Science communication and visualization of visual narratives, like a comic book, for the enlightenment of the presentation of scientific works Propose a three-river characteristic of the interplay of comic book culture and science in a diachronic aspect.
| Рубрика | Литература |
| Вид | статья |
| Язык | английский |
| Дата добавления | 12.04.2023 |
| Размер файла | 738,2 K |
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Conclusion
Therefore, at the first stages of cooperation between science and the art of sequential images, the visual rhetoric of comics organically fit into the audience habits and traditions of mass culture. The desire to interest and expand the audience made popular science, and biographical series vivid, scientific discoveries were presented in a traditional heroic style, and scientists became real saviors and role models. The direction of popularizing research through comic techniques today has taken various forms, and the purposeful use of CBR has become a common practice of both individual scientists and universities, scientific laboratories, libraries and institutions.
The newest scientific field of comics research has gone through various stages of its formation, first in a harsh confrontation between high and low culture, then in an ambivalent combination of entertainment and education, with the further development of philosophy, theories and histories of comics. These stages and scientific components did not always develop consistently, and even more so, they did not cancel previous acquisitions and, unfortunately, prejudices. The comic is unique in its exceptional appreciation for successful decisions, it actively replicates them at different times, and offers to relive familiar experiences, and implements tried and tested ideas in new forms.
It is quite logical that on the path of various vector directions of scientific understanding of comics, there will be attempts to unite them into a single disciplinary space, following the example of traditional crossovers and Multiverses of well-known comic's epics. At the same time, the first results of a comprehensive analysis of the "living reality of the world of comics" (Woo & Stoll, 2021) point to the extremely difficult task of modern dialogue between comic artists, readers, publishers, scientists, critics, and journalists in understanding the comic and the scientific space around it.
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