The psycholinguistic potential of the interaction between the conceptual and the linguistic pictures of the world in the search of the mental unity in the literary text and its screen version

The representation of the forms of the interaction between the literature and the cinema in the context of the interpretation of the language of the artistic text as the part of the image of the world of the human and the prototype of the film text.

Рубрика Литература
Вид статья
Язык английский
Дата добавления 28.05.2023
Размер файла 56,8 K

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The prospect of the further psycholinguistic explorations in the context of this problem is the study of the adaptive boundaries in the collective and the individual perception of the film texts created as the result of the screen version of the Ukrainian literature, and the tendencies as for the creation of the literary texts by the writers that are already adapted for the screen version.

Bibliography

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References

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3. Bodnar, I. (2019) Konceptosfera OSVITA v anglijskij movi (nacionalno-markovanyj ta indyvidualno-avtorskyj aspekty). [Conceptosphere of EDUCATION in English (nationally-marked and individually-authored aspects)]. Extended abstract of candidate's thesis. Lviv: Ivan Franko National University of Lviv. [in Ukrainian]

4. Briukhovetska, L. (2006) Adaptatsiia chy shturm literaturnoho Everestu? Tvory Ivana Franka v kino [Adaptation or storming of literary Everest? Works of Ivan Franko in cinema]. Cinema. URL: https://ktm.ukma.edu.ua/show_content. php?id=598. [in Ukrainian]

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11. Simbirceva N. Jekranizacija kak vizualizirovannyj tekst: k postanovke problemy [Screening as visualized text: to the problem statement]. Iskusstvovedenie i kulturologija. URL: https://elar.urfu.ru/bitstream/10995/21684/1/iurp-2013-116-22. pdf.

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14. Yudko, L. (2011) Movna ta konceptualna kartyny svitu yak vidobrazhennya svidomosti naciyi [Linguistic and conceptual pictures of the world as a reflection of the consciousness of the nation]. Studia Linguistica. Issue 5 (2), pp. 292-298. [in Ukrainian]

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