Forecasting movie sales based on its trailer’s features

Development of a tool for predicting box office receipts from films sales and return on investment. Analysis of textual content used in trailers. Categorization of words into positive and negative. Building an attractive movie production model for buyers.

Рубрика Менеджмент и трудовые отношения
Вид дипломная работа
Язык английский
Дата добавления 10.12.2019
Размер файла 1,8 M

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3) Actions (criminal) [crime] are valuable and make the gross increasing;

4) Wonders (miracles) [miracles] topic has a positive impact on movie sales;

5) Adventures [adventures] topic is also valuable, but mostly decreases the revenue of the move.

The linear regression model showed that sentimental division has no valuable effect on the movie's gross.

The P-value of these variables was bigger than 0.05, meaning that there is no significant correlation among them.

This result shows that the hypotheses about positive and negative words are rejected. (Table 3)

lm(formula = netgross ~ pers + sentresidualspos +

+ sentresidualsneg +spys + crime + miracles + adventures) Code in R programming for Linear Regression model (4)

where, sentresidualspos =positive words put in logarithm

sentresidualsneg = negative words put in logarithm.

Table 3

Linear Regression results

Min

1Q

Median

3Q

Max

-114778610

-50996840

-23608664

26279984

565888443

Coefficients:

Estimate

Std. Error

t value

Pr(>|t|)

(Intercept)

72895897

2146504

33.960

< 2e-16 ***

drama

-8650639

12895345

-0.671

0.50244

spys

-47739288

15592264

-3.062

0.00224 **

crime

67006711

11005394

6.089

1.48e-09 ***

miracles

35438694

11566582

3.064

0.00223 **

adventures

-31072888

11447911

-2.714

0.00673 **

sentresidualspos

-26597902

119400286

-0.223

0.82375

sentresidualsneg

30751374

116170303

0.265

0.79127

Residual standard error: 79650000 on 1369 degrees of freedom

Multiple R-squared: 0.04477, Adjusted R-squared: 0.03988

F-statistic: 9.166 on 7 and 1369 DF, p-value: 4.125e-11

6. Discussion of results and hypotheses

As the linear regression model reflects, R-squared equals to 0.04477. That means that only 4% of all the dependence and correlation is explained through the suggested variables. This situation might take place due to many other factors influencing the gross of the movie. For example, celebrities' power, video effects or music sounds, etc. Each of these factors has its impact on the sales of the movie, that is why the share of text is only 4%.

Although this number is not as big as it should be (, the model shows relatively significant results, that are signed with “*” letters. Moreover, P-value, which is in most cases is less than 0.05 rejects zero hypotheses. So, the results are still valuable and can be relied on during prediction.

The experiment findings were quite surprising about topics, that was proposed in the beginning. The H1 states that there is a correlation between the topic of the text and the box office revenue; the regression model approved it thought some topics.

Relying on these results, we can conclude that topics have their own role to play in the process of getting the profit of the upcoming film. And based on its context, studios together with investors may predict the outcome of the movie, just looking at the trailers' scripts only.

Turning to the topics, it is interesting to note that the H1.1, suggesting that movies, which have a criminal context in their text, truly increase the total revenue of the movie. Having this information accepted, we can conclude that H1.1 is also approved. This information is valuable for the advertising agencies as well. If they add to their posters or trailers any reminding of the crime by using the terms such as "gun", "weapon", "player", "shoot" etc., the spectators may find the film or a product attractive, making sales go up.

However, it is important to mention, that the usage of these words must be done according to the main meaning of the product itself. In other words, if the film or any product is about ballet or daily routine, the terms as "gun" must be used in an appropriate way.

Another topic concerning "spying" is turned out to be a detrimental factor for movie sales. As the regression model has demonstrated, if the trailers do use the terms evolving some agents or missions, the movie might not be favorable for viewers. That is why it is recommended to take them off from the posts or make their amount close to zero.

The possible explanation of this phenomenon could be the preference of people, who were born in the 1990s. As ST Lyons et al. (2010) in their paper about millennial generation claims, the audience at the age of 22 to 30 tends to constantly change their preferences and interests, depending on the society.

The authors underline that these generations do want to follow something extraordinary, which is frequently out of popular trends. Given the fact that movies about agents were popular since the 1990s (Barza & Memari, 2014), the generation considered them as something traditional, putting them at the end of preferences. However, this possible explanation is not exact and needs to be explored deeper in the further potential researches.

Miracles, on the contrary, act as a positive factor for the trailers. Perhaps this is due to the fact that miracles, in total, attract people due to their unreality. As Polgar (1962) in his researches about human psychology said, a person is inclined to be interested in things, that do not exist in everyday life, for example, mummies, monsters or any other wonders. (Polgar, 1962) It is considered that miracles are usually associated as something new. And this association, as it is suggested is positively accepted by millennials. Therefore, trailers have such an effect on films and advertising in general.

Adventures being another considered topic showed a positive correlation with the box office revenue. Looking at the terms used in this theme, it can be seen that all of them are mainly related to some movement, for example: “plane”, “jump”, “ship”, “water”. In this case, the terms largely explain these positive results, since according to the research by Polgar (1962) about human's cognitive perception, a moving object attracts more attention than a fixed one. Consequently, advertisements and trailers, that have any dynamic pictures are favorably accepted by spectators, increasing the attractiveness of the trailer and upcoming film itself. (Polgar, 1962)

Trailers with drama and relationship content showed no correlation and insignificance in the regression model. This is another unexpected result, as it was initially assumed that people prefer films of this genre and text. The possible explanation of such development could be a small proportion of trailers with a given context or the terms used in this topic. As it is mentioned, sometimes the vocabulary plays a huge role in the process of determining the word into a specific topic. Yet, this could act as another subject to explore in the future.

One of the most surprising parts of the research concerns sentimental analysis, where none of the hypotheses about them have been confirmed. One of the possible explanations could be that words usually can have different meanings. For example, the word "weapon"; some people may associate this word with danger, others can think of it as an instrument or a gift. Even though machine learning tries to detect the words by their frequency in the sentence, this variable is considered to be week still.

Another possible explanation relies on the vocabulary used in the analysis. For example, the vocabulary applied for this paper categorizes the word "love" into the positive word, however, there were many cases, when this term was used in the negative mood.

That might be another reason for this situation happen. Yet, this situation may act as another pull for further studies about sentiments. For example, sentiments correlation with movies themselves or negative feedbacks' influence on the authority of motion studios.

To sum up the whole study results, there is a list of hypotheses with their statuses provided below:

1) Hypothesis 1 (approved - confirmed)

2) Hypothesis 1.1 (approved - confirmed)

3) Hypothesis 2 (rejected)

4) Hypothesis 2.1 (rejected)

As it is described, not all of the hypotheses have been confirmed. Some of them require more in-depth analysis to be properly explained, and some refer to studies that have already been done. In general, the results showed valuable numbers from which the appropriate conclusions can be drawn.

Conclusion

The advertising market has been growing up significantly since the rapid development of the film industry from the 1990s. (Basuroy et al., 2003) Movies are one of the most consumed products in the cultural or entertainment sphere, have become the main object for many investors and cinemas as well. (Algesheimer et al., 2010) The players in this market before making any investment were trying to answer the question, whether the film is successful. Referring to the emerged question, many researchers came up with a solution to create various models for predicting the success of upcoming films. Each of these models was different in a set of variables, data, and the method itself. Some of them used the text of the movies' scenarios, others evolved the celebrities' authority, there was also a model based on the number of likes put for the movie poster on Facebook. (Gopinath, Chintagunta, & Venkataraman, 2013) Despite the variety and effectiveness of these models, it is noteworthy that many of them used the data obtained after the film has been released. The purpose of this work is, on the contrary, to create a predictive model based on the trailer's features, using the data before the premiere date of the movie. Following this look, the main variable to the exam was decided to be a text or words used in trailers. Since the paper explores English words only, all the data and scripts have been filtered.

According to the results of the study, there are mainly 4 different themes that have an impact on the sales of the film. Depending on the context, these topics either can increase or decrease the box office revenue. That is why advertising companies together with motion studios should consider the context of their products by checking the terms used in the trailers.

Besides, the paper has analyzed a sentiment analysis by dividing words into negative and positive categories. It was found that the films did not have any connection with the presence of positive or negative words in the trailer. All the indexes and figures in the linear regression model were insignificant. Still, this approach might be useful in other fields, for example, the influence of negative words on the brand value or how advertising agencies cope with positive and negative feedbacks, etc.

Limitations and future directions. In general, the investors and cinemas should rely on the context of the trailers expressed through the topics rather than separate words. It is due to the fact that words may have different meanings depending on their position. This act as a limitation of the research, which might be the reason for other researches to be conducted.

One more limitation of the paper is the trailer with no words at all. In this situation, the provided model cannot be used properly, except for the case, when the general content of the trailer is explored. All in all, this point might be another occasion for further studies to be held. One of the possible researches could be the analysis of music sound in trailers, where the content of the video can be identified through the music vibration.

Although there are some limitations in this paper, the whole analysis reflected that texts in advertising (trailers) can be another significant factor for the success of the product, films in particular. Since there is a lack of literature devoted to the particular topic, I hope that this study will fill the gap, being very useful and incentive for other researches to enrich more insights in this field.

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Appendix 1

Variables of dataset

Appendix 2

List of Stop words

i

those

into

such

me

am

through

no

my

is

during

nor

myself

are

before

not

we

was

after

only

our

were

above

own

ours

be

below

same

ourselves

been

to

so

you

being

from

than

your

have

up

too

yours

has

down

very

yourself

had

in

s

yourselves

having

out

t

he

do

on

can

him

does

off

will

his

did

over

just

himself

doing

under

don

she

a

again

should

her

an

further

now

hers

the

then

herself

and

once

it

but

here

its

if

there

itself

or

when

they

because

where

them

as

why

their

until

how

theirs

while

all

themselves

of

any

what

at

both

which

by

each

who

for

few

whom

with

more

this

about

most

that

against

other

these

between

some

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