Music Marketing in the Digital Age: Building an Identifiable Personal Brand, Promoting Records and Adapting to Market Demands

Familiarity with the impact of the COVID-19 pandemic on the development of the music market. The development of music marketing in the digital age. Consideration of ways to create a recognizable personal brand. Problem analysis promotion records.

Рубрика Маркетинг, реклама и торговля
Вид дипломная работа
Язык английский
Дата добавления 13.07.2020
Размер файла 317,8 K

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The topic of this particular research has potential for further development and analysis in further research. Some suggestions for future studies may be offered. First of all, it could be useful to make a comparison between different countries in order to understand how results differ among various cultures and various economies. For instance, it may be worthwhile comparing the marketing practices and trends among the biggest music markets (US, Japan, Germany, UK). Provided each of these markets has its own social and cultural background, it could be interesting to explore how those discrepancies could affect the means of music marketing, promotion, branding, etc.

Secondly, it could be interesting to go deeper into the examination of music business. For instance, on the basis of this research, it could be interesting to analyze how these findings correspond with the practices implemented within record labels. Moreover, it could be interesting to talk to people who represent foreign music industry, conduct interviews with them and compare their answers to the answers provided by the representatives of the Russian industry.

Finally, it is likely that after the COVID-19 pandemic, the music industry and music business will change. At the moment, it is difficult to accurately evaluate how much COVID-19 pandemic will have influenced the music industry by the time it is over. However, at some point in the future, it will be possible to conduct a comparative analysis and draw additional conclusions on how music industry adapted to changes in the market.

Reference

marketing music pandemic

1.Achacoso, D. (2014). Brand Identity for New Artists in the Music Industry.

2.Andrews, M., Luo, X., Fang, Z., & Ghose, A. (2016). Mobile Ad Effectiveness: Hyper-Contextual Targeting with Crowdedness. Marketing Science, 35(2), 218-233.

3.Askin, N., & Mauskapf, M. (2017). What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music. American Sociological Review, 82(5), 910-944.

4.Bampo, M., Ewing, M. T., Mather, D. R., Stewart, D., & Wallace, M. (2008). The Effects of the Social Structure of Digital Networks on Viral Marketing Performance. Information Systems Research, 19(3), 273-290.

5.Bojkov, K. (2020, May 18). Instagram IGTV: Everything You Need to Know. Retrieved from https://embedsocial.com/blog/instagram-igtv/

6.Brems, C., Temmerman, M., Graham, T., & Broersma, M. (2016). Personal Branding on Twitter. Digital Journalism, 5(4), 443-459.

7.Brooks, A. K., & Anumudu, C. (2016). Identity Development in Personal Branding Instruction. Adult Learning, 27(1), 23-29.

8.Brown, S. C., & Knox, D. (2016). Why go to pop concerts? The motivations behind live music attendance. Musicae Scientiae, 21(3), 233-249.

9.Burgess, R. J. (2014). The history of music production.

10.Chiou, J.-S., Huang, C.-Y., & Chuang, M.-C. (2005). Antecedents of Taiwanese Adolescents Purchase Intention Toward the Merchandise of a Celebrity: The Moderating Effect of Celebrity Adoration. The Journal of Social Psychology, 145(3), 317-334.

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