Етномузикологія України на зламі ХХ-ХХІ століть (1991-2022): наука, видання, конференції

Hrypych, S., Shikhovtsova, I. (Comp.). (2012). Suprun-Yaremko Nadiya Onysymivna: Bibliohrafichnyj pokazhchyk [Suprun- Yaremko Nadiya Onysymivna: Bibliographic Index]. Rivne: RDHU. 125 p. [in Ukrainian].

Hrytsa, S. (2000). Folklor u prostori ta chasi: Vybrani statti [Folklore in Space and Time: Selected Articles]. Ternopil. 224 p. [in Ukrainian].

Hrytsa, S. (2002). Transmisiia folklornoi tradytsii: Etnomuzykolohichni rozvidky [Transmission of Folk Tradition:

EthnomusicologicalExplorations]. Kyiv; Ternopil. 236 p. [in Ukrainian].

Ivanytskyi, А. (1997). Ukrainska muzychna folklorystyka [Ukrainian MusicalFolkloristic]. Kyiv. 392 p. [in Ukrainian].

Ivanytskyi, А. (2009). Istorychnyy syntaksys folkloru [HistoricalSyntax of Folklore]. Vinnytsia. 404 p. [in Ukrainian].

Khai, М. (2011а). Muzychno-instrumentalna kultura ukrayintsiv (folklorna tradytsiya) [Musical and Instrumental Culture of Ukrainians (Folklore Tradition)]. Drohobych. 537 p. [in Ukrainian].

Khaj, М. (2011 б). Ukrayinska instrumentalna muzyka usnoyi tradytsiyi [Ukrainian Instrumental Music of the Oral Tradition]. Kyiv; Drohobych. 467 p. [in Ukrainian].

Klymenko, I. (2020). Obriadovi melodii ukraintsiv u konteksti sloviano-baltskoho rannotradytsiinoho melomasyvu: typolohiia i heohrafiia [Ritual Melodies of the Ukrainians in the Context of the Slavic-Baltic Early-Traditional Melomassive: Typology and Geography]. Vol. 1: Monograph. (with DVD). Kyiv. 360 p. [in Ukrainian].

Klymenko, І. (2010). Dyskohrafiya ukrayinskoyi etnomuzyky (avtentychne vykonannya). 1908-2010. 1908-2010 [Discography of Ukrainian Ethnic Music (Authentic Performance). 1908-2010]. Kyiv. 360 p. [in Ukrainian].

Klymenko, І., Murzyna, О. (2008). Kyivska laboratoriia etnomuzykolohii. 1992-2008. [Kyiv Laboratory of Ethnomusicology. 19922008]. Problemy etnomuzykolohii [Problems of Music Ethnology]. Iss. 3. Kyiv. 153 p. [in Ukrainian].

Konferentsiyi doslidnykiv narodnoyi muzyky chervonoruskykh (halytsko-volodymyrskykh) ta sumizhnykh zemel (1990-1997, 2010, 2017). [Conferences of Folk Music Researchers of Chervona Rus' (Halychyna and Volodymyria) and Neighboring Lands]. Lviv. [in Ukrainian].

Kushpet, V. (2007). Startsivstvo: mandrivni spivtsi-muzykanty v Ukrayini (XIX - poch. XX st.) [Startsivstvo: Traveling Singers- Musicians in Ukraine (in the 19th- Beginning of the 21st Centuries)]. Kyiv. 592 p. [in Ukrainian].

Lukaniuk, B. (1991). Pro osnovnyj fond pysemnykh dzherel muzychno-etnografichnoyi informaciyi [On the main fund of the written sources of ethnomusical information]. Druha konferentsiia doslidnykiv narodnoi muzyky chervonoruskykh (halytsko- volodymyrskykh) zemel: Poliovi doslidzhennia [The Second Researchers' Conference on Folk Music of Chervona Rus' (Halychyna and Volodymyria)], 45-53. Lviv. [in Ukrainian].

Lukaniuk, B. (1994). S. Ludkevych and Lviv school of ethnomusicology. Typological Classification of Tunes. Advanced Systems for Arranging Folklore Stocks: Abstracts of the First International Ethnomusicologists' Conference, 6-7. Vilnius. (1994, December 1-3). [in English].

Lukaniuk, B. (2006). Materialy do bibliohrafiyi polskoyi etnomuzykolohiyi ХІХ-ХХ st. [Materials for the Bibliography of Polish Ethnomusicology of the 19th-20th Centuries]. Lviv. 192 p. [in Ukrainian].

Lukaniuk, B. (2016). Rytmichna variatsiynist u pisennomu folklori [Rhythmical Variation in Folk Songs]. Lviv. 208 p. [in Ukrainian].

Lukaniuk, B. (2017). Muzychnyj chasokilkisnyj rytm [Musical Quantitative Rhythm], Lviv. 304 p. [in Ukrainian].

Matsievskyj, І. (2012). Muzychni instrumenty hutsuliv [HutsulMusical Instruments]. Vinnytsia. 464 p. [in Ukrainian].

Myshanych, М. (2021). Zibrannyaprats [Collection of Works]. Lviv. 176 p. [in Ukrainian].

Problemy etnomuzykolohii [Problems of Music Ethnology] (1998-2021). Kyiv. See also: Problemy etnomuzykolohii [Problems of Music Ethnology]. Retrieved November, 05, 2022, from http://ethnomusicology.com.ua. [in Ukrainian].

Protasova, S. (2020). Doslidnytski tendentsii v robotakh ukrainskykh etnomuzykolohiv (2008-2018) [Research Trends in the Works of Ukrainian Ethnomusicologists (2008-2018)]. Problemy etnomuzykolohii [Problems of Music Ethnologhy]. Iss. 15, 54-67. Kyiv. https://doi.org/10.31318/2522-4212.2020.15.219364 [in Ukrainian].

Rybak, Yu. Metodyka arealno-typolohichnykh doslidzhen v etnomuzykolohii. Dosvid lvivskoi shkoly [The methodology of areal- typological investigation in ethnomusicology. Experience of the Lviv school]. Etnomuzyka [Ethnomusic]. Iss. 3, 9-22. Lviv. [in Ukrainian].

Shevchuk, Ol. (2017). Suchasnyi tsentr ukrainskoi etnomuzykolohii (do 25-richchia diialnosti Laboratorii etnomuzykolohii NMAU imeni P. I. Tchaikovskoho) [The current center of Ukrainian ethnomusicology (dedicated to the 25^th anniversary of the activity of the Laboratory of ethnomusicology at the Ukrainian National Tchaikovsky Academy of Music)]. Problemy etnomuzykolohii [Problems of Music Ethnology]. Iss. 12, 117-121. Kyiv. https://doi.org/10.31318/2522-

4212.2017.12.132584 [in Ukrainian].

Shevchuk, Ol., Filts, B. (Execut. eds). (2016). Istoriya ukrayinskoi muzyky: u 7 tomah. Tom 1: Vid naydavnishykh chasiv do XVIII stolittia. Knyha 1 : Narodna muzyka [History of Ukrainian Music: in 7 volumes. Vol. 1 : From Ancient Times to the 18th Century. 1^st Book: Folk Music]. Kyiv: M. Rylskyi Institute of Art, Folklore Studies and Ethnology of the National Academy of Sciences of Ukraine. 440 p. [in Ukrainian].

Smoliak, О. (2001, 2004). Vesnyana obryadovist Zakhidnoho Podillya v konteksti ukrayinskoyi kultury [Spring Rituals of Western Podillia in the Context of Ukrainian Culture]. 296+392 p. Ternopil. [in Ukrainian].

Storozhuk, А. (1998). Klyment Kvitka (lyudyna - pedahoh - vchenyy) [Klyment Kvitka (Person - Pedagog - Scientist)]. Kyiv. 100 p. [in Ukrainian].

Suprun-Yaremko, N. (2005). Ukrayintsi Kubani ta yikhni pisni [Kuban Ukrainians and Their Songs]. Kyiv. 784 p. [in Ukrainian].

Tereshchenko, O. (2013). Slidamy mandrivnykh muzykantiv [In the Footsteps of Traveling Musicians]. Kirovograd; Kyiv. 108 p. [in Ukrainian].

Yaremko, B. (2014). Sopilkova muzyka hutsuliv [Hutsul Pipe Music]. Lviv. 180 p. [in Ukrainian].

Yarmola, V. (2014). Skrypkova tradytsiya Rivnensko-Volynskoho Polissya [The Violin Tradition of the Rivne-Volyn Polissia]. Lviv. 232 p. [in Ukrainian].

Yefremova, L. (2009-2011). Chastotnyy kataloh ukrayinskoho pisennoho folkloru: u 3-kh ch. [Frequent Catalog of Ukrainian Song Folklore, In 3 vols] 720 p.+480 p.+511 p. Kyiv. [in Ukrainian].

Yuzefchyk, О. (2004). Diyalnist Kabinetu muzychnoyi etnohrafiyi VUAN u konteksti rozvytku ukrayinskoyi muzychnoyi folklorystyky kintsya XIX-pershoyi tretyny XX st. [Activities of the Department of Musical Ethnography of the Ukrainian Academy of Sciences in the context of the development of Ukrainian Musical Folkloristics of the End of the 19th and the First Third of the 20th Centuries ]. Kyiv. 200 p. [in Ukrainian].

Zinkiv, І. (2013). Bandura yak istorychnyy fenomen [Bandura as a Historical Phenomenon], Kyiv. 448 p. [in Ukrainian].

Abstract

The long-awaited times of Independence opened wide opportunities for Ukrainian ethnomusicologists. In the last issue of Problems of Ethnomusicology”, we began to review the achievements of the latest Ukrainian musical folklore studies during the years of Independence: we identified the main ethnomusicological centers and characterized their activities, considered ethnomusicological pedagogy, achievements in the field of documenting folk music - its collection and archiving. In this issue, we want to focus on such important areas as scientific, publishing and conference activities.

The relevance of our research is due to the need to paint a general picture of the achievements and, possibly, omissions of domestic ethnomusicology over the past 30 years. This will significantly complement the existing historiographical studies, focusing mainly only on certain aspects or certain periods of development of Ukrainian musical folkloristics.

Scientific research is a more expressive result of the work of Ukrainian ethnomusicologists of the period of Independence. They show a variety of interests, depths in scientific research, openness to knowledge and increasing the achievements of world ethnomusicology. There are such more important research areas of Ukrainian scientists: the theory of ethnomusicology, areal-typological research, historical studies, organology, ethnochoreology, resource science, ethnoculturology and ethnomusical sociology, folk music culture of ethnic minorities in Ukraine, professional music of the oral tradition of the East, folk music acoustics, etc.

These directions are different in terms of achievements, fullness, and degree of innovation, but each of them is a contribution to the pan-European and world folk music science.

Publishing activity clearly demonstrates the results of the work of Ukrainian ethnomusicologists. It was able to develop in Ukraine only after Independence when Soviet censorship disappeared. This direction has become important not only for scientific institutions themselves, but also for higher educational institutions.

Thus, two professional Ukrainian annual ethnomusicological collections of articles and materials were launched at the Kyiv and Lviv Music Academies, respectively: “Problems of Ethnomusicology” (1998-2021) and “Ethnomusic” (2006-2021).

Ethnomusicological articles are published in other scientific collections, mainly periodical and serial. An important place in publications of the period of Independence is occupied by the publication or reprint of the heritage of predecessors, including the epistolary. A lot of different folk music collections with vocal and instrumental folklore of different Ukrainian regions were also published.

The conference activity of Ukrainian scientists deserves special attention. One of the most important forums is the Lviv “Conferences of folk music researchers of Chervona Rus' (Halychyna and Volodymyria) and neighboring lands” (1991-2021). The series of specialized ethnomusicological conferences was later (2011) started in Kyiv, Dnipro (2018, 2020 and 2022). It is also worth mentioning the Lviv “Kolessa's readings” (from 2007). Young researchers also have their own conferences. Ukrainian scientists constantly participate in international scientific conferences, including ICTM (The International Council for Traditional Music) conferences.

In general, in our brief review, presented by two articles, we tried to draw a line under the modern achievements of Ukrainian musical folkloristics. Such reviews should be done regularly since Ukrainian ethnomusicology is constantly evolving. Today, researchers are working in extremely difficult conditions due to russia's military aggression, but all of all, the work continues.

Key words: Ukrainian ethnomusicology 1991-2022, directions of Ukrainian ethnomusicological studies, Ukrainian ethnomusical publications, ethnomusicological conferences, a history of Ukrainian musical culture.

Размещено на Allbest.ru