Rethinking Igor Stravinsky historically and theoretically — III

Morphological analysis of the works of Rimsky-Korsakov, Mussorgsky, Borodin, Stravinsky. Identification of a set of invariant sound morphemes, the conceptuality of which is related to the associative and figurative possibilities of listening perception.

Рубрика Музыка
Предмет Music
Вид статья
Язык английский
Прислал(а) Glivinsky Valery
Дата добавления 25.11.2023
Размер файла 729,8 K

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