Формування музично-естетичної культури молодших школярів в умовах культурно-дозвіллєвої діяльності

Зміст, структура музично-естетичної культури, критерії і рівні її сформованості у дітей молодшого шкільного віку. Поняття музичного сприймання. Перевірка методик формування музично-естетичної культури школярів в умовах культурно-дозвіллєвої діяльності.

Рубрика Педагогика
Вид автореферат
Язык украинский
Дата добавления 14.09.2013
Размер файла 48,2 K

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Coming out from the statement , that the base of the process of formation musical-aesthetic culture is the communication with music, based upon perception of musical materials, peculiarities of musical in pupils' age.

According to the object at examination, peculiarities of cultural and leisure activities are opened . These activities, continuing and adding the educational influence of family and school in the conditions of leisure time, are able to satisfy individual inquiries and interests of a child, to stimulate the development of his dispositions and abilities.

In the second unit the analysis of levels of how musical-aesthetic culture of pupils of young school age has already been formed, and also the real conditions of practical activities of leisure collectives, has been hold. The most important factors have been indicated, those that stimulate the formation of musical-aesthetic culture of young pupils and those, which restrain this process.

The results of the experiment gave the opportunity to indicate three levels of how the musical-aesthetic culture of young pupils has been already formed: low, average and high. The low level, appears to be the most wide-spread are - 48% of pupils, which have been poor in their music preferences, absence of recognizable interests, low level of knowledge, which has explained the passivity in activities sphere. Evaluation conceptions are not objective to the real value of musical composition, ability to analyse is absent . A pupil of this level is characterized by uncommunicativeness.

Analysis of the activities at club collectives showed, that reserves of musical development of young pupils in the conditions of leisure collectives are not fully opened and used. Inappropriate investigation of musical-aesthetic needs and interests of children. The absence of systematic consistency, permanence, monotony considerably reduce effects of the educational process.

Pedagogical conditions which insure the formation of musical-aesthetic culture of young pupils in the conditions of cultural and leisure activities are examined.

Creation of expedient methods of organization of musical-aesthetic activities with the accent on active forms and methods (games, exercises for imagination, etc.)

Insuring of individualization of educational influence, based upon the vain motives of activities of every personality.

Realization of principles of consistency in putting children in music arts and complication of musical-aesthetic knowledge, its contents, forms and methods of pedagogic influence according to development musical-aesthetic experience.

Organization and progress of complex experiment for formation of musical-aesthetic culture of young pupils in the conditions of a club collective are described. The main tasks of the experiment, its peculiarities are characterized.

The results of investigation gave the opportunity to prove the effectiveness of the proposed organizational-methodic work, directed to formation of musical-aesthetic culture in the conditions of cultural-aesthetic activities.

Key-words: musical-aesthetic culture, young pupils, music perception, cultural-leisure activities, club collectives.

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