Discussion on the development of Chinese modern architecture

Размещено на http://www.allbest.ru/

PNU

JLJU

Discussion on the development of Chinese modern architecture

Li Zhen, Panchuk N.N.

Khabarovsk, Russia

China

Abstract

Chinese architectural creation since the 90s of last century, the design of the upper and lower buildings are blind pursuit of Western practices. East and West have their own strengths, Chinese modem architecture should be integrated, reflecting the cultural connotation, value orientation, artistic aesthetic, customs, religious theory, the construction of real China belongs to modem architecture.

Keywords: modem architectural movement, modem architectural form, construction market, architect.

Абстракт

Ли Чжень, Панчук H. H. ТОГУ, Хабаровск, Россия, ЦУС, КНР

ВОПРОС О РАЗВИТИИ КИТАЙСКОЙ СОВРЕМЕННОЙ АРХИТЕКТУРЫ

Создание китайский архитектуры с 90-х годов прошлого века и проектирование высокой и низкой застройки -- это слепое стремление и заимствование западных практик. Восток и Запад имеют свои сильные стороны, китайская современная архитектура должна быть интегрирована, отражая культурные коннотации, ценностные ориентации, художественную эстетику, обычаи, религиозные аспекты. Строительство настоящего Китая должно быть связано с современной архитектурой.

Ключевые слова: современное архитектурное движение, современная архитектурная форма, строительный рынок, архитектор.

1. Blind imitation can only bring new architectural forms, but cannot really promote the development of modern architecture

Beijing, Shanghai and other places the most important architectural design projects, almost all foreigners, such as the National Grand Theater, CCTV headquarters, the Olympic Games main stadium Bird's Nest program, the Capital Museum, Wu Kesong Cultural and Sports Center, Beijing TV Center. These new, strange, especially for the design is still not the best, not only the lack of Chinese architectural and cultural characteristics, and some openly ridiculed the basic principles of architectural design: functional confusion, the cost of amazing, absurd structure.

Fig. 1.National Grand Theater

Fig. 2. CCTV headquarters

The "European wind" has been blowing more and more, misleading and destroying the image of China's cities, and even blowing to the government buildings - for example, a city on behalf of the state power even copied the US House of Parliament; A residential development zone, where some such as Arc de Triomphe Paris, the Eiffel Tower, etc., is really everything, not a large European grass, fountains and all the foreign beauty sculpture.

Fig. 3.the Olympic Games main stadium Bird's Nest program

Fig. 4. Wukesong Cultural and Sports Center

Fig. 5. Beijing TV Center

Fig. 6. The Capital Museum

The "European wind" has been blowing more and more, misleading and destroying the image of China's cities, and even blowing to the government buildings - for example, a city on behalf of the state power even copied the US House of Parliament; A residential development zone, where some such as Arc de Triomphe Paris, the Eiffel Tower, etc., is really everything, not a large European grass, fountains and all the foreign beauty sculpture.

2. The problem of building development to a certain extent, reflect the country's social development

Contemporary Chinese construction industry can be said that the problems faced by China's social problems in the construction industry, it is not difficult to find that the problems faced by the construction industry has its deep-rooted social roots. China experienced the "Cultural Revolution" of the "old", the millennium cultural traditions from that generation who appeared fault. After the reform and opening up, the rapid development of society, and cultural development is relatively lagging behind. The culture of contemporary Chinese cultural values did not take shape, and a group of "upstarts" produced by economic development were in urgent need of a culture that reflected the value orientation of their own class, so they began to learn from the West, just as the late nineteenth century The rise of the century in Europe, like the retro trend, the emerging bourgeoisie needs a material form to express their will, and architecture is a good carrier.

3. China also has a very good example of modern architecture, a good interpretation of the modern architecture belonging to the Chinese culture

IM Pei, a Chinese-American, built the Suzhou Museum in Suzhou, Jiangsu Province. It is a typical example of integrating Oriental culture into modem architecture. The design of the new museum combines the traditional Suzhou architectural style, placing the museum between the courtyards and harmonizing the building with its surroundings. The main courtyard of the museum is thus an extension of the Zhuozhengyuan architectural style of the north and a modem version of the interpretation.

Fig. 7

The new museum courtyard, smaller exhibition area, and the courtyard of the administrative area in the landscaping design out of the traditional landscape design ideas. The new design ideas for each garden to seek new guidance and theme, the traditional garden landscape design of the essence of mining and refining the formation of the future direction of the development of Chinese landscape architecture. architectural chinese construction

Although the White Fenqiang will become the main colors of the new museums, which will be integrated with the traditional Suzhou city mechanism, but those everywhere, monotonous gray small Qingwa roof and window frames will be gray granite Replaced by the pursuit of better uniform color and texture. The roof design of the museum is inspired by Suzhou's traditional top-of-the-hill landscape - cornices and meticulous architectural details. However, the new roof has been reinterpreted and evolved into a new geometric effect.

Building and innovation of the gardening is interdependent, IM Pei designed a main courtyard and a number of small inner courtyard, the layout of compact. Among them, the most unique is the central axis of the northern courtyard, not only visitors through the lobby of the glass can see the water features of the South, and the courtyard across the north wall of Zhuozhengyuan directly link the park, the old and new landscaping.

4. Society is in a transitional stage, cultural formation takes time, the outlook is optimistic

But the history, I think the face of the status quo also need not be too pessimistic, China is currently in the social transformation stage, although the general pattem of society has been formed, but the culture is not yet mature, so today's impetuous people is normal and inevitable Of the old set up new always takes time. Therefore, we can boldly predict that in the future China will eventually form a representative of their own cultural design, the Chinese architecture will also occupy a place in the world of architecture.

The development of China's construction of the road where to go is worth every one engaged in the construction industry, we ponder the problem.

1. China's construction market needs healthy development

Since the reform and opening up, a huge amount of construction makes the rapid expansion of China's construction market. In the huge amount of construction and the pursuit of economic benefits in the context of architectural design cycle is unreasonably shortened, the architect in the design for the creation of very little time, almost zero. Such a short design cycle, is bound to affect the designer's creative inspiration, This approach greatly shortened the creation time, but caused the domestic architectural style is almost the same, there is no innovation of the drawbacks, even worse there imitate the excellent building, which mystery is a little knowledge, resulting in the opening of the structure is unreasonable and so on .Such a deformed construction market is undoubtedly the architectural design innovation and development of great influence.

2. To the green building and building sustainable development in the end

Building is a necessity of social production and life. We can not neglect the sustainable development and environmental protection of the building because of its artistic and aesthetic value. Building is more costly because of a lot of social resources, energy and ecology are closely related, so based on our national conditions and the global green energy conservation development concept, China's development of green buildings and maintain sustainable development of buildings is essential.

The idea of building energy conservation in recent years has been raised. In China, some science and technology or innovative buildings have been using building energy efficiency. For example, Tsinghua University A solar panel for the walls and roofs of energy-efficient buildings, these solar panels for indoor lighting, warmth and even HVAC provides energy. There are a lot of the city's main lane are in the use of solar street lighting, in my home studying Jilin University campus, is the use of this lighting.

Therefore, the development of architecture in China is facing an excellent opportunity, that is, to build a new building teaching, design and evaluation system by taking the building system with the theme of building ecology and green building as an opportunity to guide the development of construction technology, Building a new architectural values, including architectural aesthetic values, so as to promote the Chinese building into a new stage of development.

3. To find a respect for history, heritage culture, the road of independent innovation

Ancient Chinese craftsmen had a systematic architectural design concept. Due to the strict hierarchical system, Chinese ancient architecture also presented different architectural forms and specifications, which have become indispensable treasures of China with the development of history. However, due to the expansion of China's population, lack of land resources, in order to more modem city development, more and more modem buildings in the replacement of ancient buildings, many of the old walls and houses were demolished due to dilapidated, while the protection of ancient Chinese architecture is imperative.

Therefore, the architects in the historical and cultural city of protection and development of the design only with the construction expertise is not enough, but also need to have a wealth of social knowledge, more importantly, the architect's sense of historical responsibility.

4. The education of Chinese traditional architecture needs to be paid attention to, Chinese traditional architecture needs inheritance and development

We leam from foreign architects in the school, but also to see works, to discuss their genre, but for the real pursuit of these genres is what little knowledge, so we can only leam the surface, but can not leam the essence. While the education of ancient Chinese architecture has been ignored. For the education of ancient architecture is very important.

5. Reasonable to learn from Western architectural design concept, to achieve the combination of Chinese and Western do not violate, and do not force, do not violate the aesthetic principle

The future of Chinese architectural design or classical elements to integrate into, the beauty of the East is different from the United States, a passionate, like the curve of modem architecture cantilevered; the other is subtle and elegant, like the ancient Pavilion pavilion. Bridge water. In recent years, Chinese architects are also using the combination of wood and steel structure design, through a variety of architectural expression techniques to show artistic beauty.

References

1. "From the depth of China's building modernization to face the problem" thesis

2. "2016 China's building energy-saving industry development status" Building Energy Network

3. Zeng Jian, Design Concept of Contemporary World Architecture Pioneer -- Variation, Softening, Background, Enlightenment [M], Tianjin University Academic Press, 1995.

4. Liu Xianjue, modem architectural theory [M], China Construction Engineering Publishing House.

5. Zhao Wei Yan, contemporary architectural aesthetic significance [M], Southeast University Press.

6. Yang Bingde, Cai Ming, History of Modem Chinese Architecture [M], Beijing, Mechanical Industry Press, 2004.

Размещено на Allbest.ru